The Ordos culture was a culture occupying a region centered on the Ordos Loop (modern Inner Mongolia, China) during the Bronze and early Iron Age from the 6th to 2nd centuries BCE. The Ordos culture is known for significant finds of Scythian art and is thought to represent the easternmost extension of Indo-European Eurasian nomads, such as the Scythians. Under the Qin and Han dynasties, from the 6th to 2nd centuries BCE, the area came under at least nominal control of contemporaneous Chinese states.
Equestrian nomads occupied the area previously settled by the Zhukaigou culture from the 6th to the 2nd century BCE before being driven away by the Xiongnu. The Ordos Plateau was covered by grass, bushes, and trees and was sufficiently watered by numerous rivers and streams to produce rich grazing lands. At the time, it contained the best pasture lands on the Asian Steppe. However, it has now mostly turned to the Ordos Desert through a combination of overgrazing and climatic change, with modern interventions by the government of China being especially harmful.
The Ordos are mainly known from their skeletal remains and artifacts. The Ordos culture of about 500 BCE to 100 CE is known for its "Ordos bronzes", blade weapons, finials for tent-poles, horse gear, and small plaques and fittings for clothes and horse harness, using animal style decoration with relationships both with the Scythian art of regions much further west, and also Chinese art. Its relationship with the Xiongnu is controversial; for some scholars they are the same and for others different. Many buried metal artefacts have emerged on the surface of the land as a result of the progressive desertification of the region.