Orchestre Symphonique de Montréal
| Montreal Symphony Orchestra | |
|---|---|
| Orchestra | |
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| Native name | Orchestre symphonique de Montréal |
| Former name | Les Concerts Symphoniques |
| Founded | 1935 |
| Location | Montreal, Quebec, Canada |
| Concert hall | Montreal Symphony House |
| Principal conductor | Kent Nagano |
| Website | www |
Orchestre symphonique de Montréal (OSM; informally, the Montreal Symphony Orchestra) is a symphony orchestra based in Montreal, Quebec, Canada. Its home is the Montreal Symphony House at Place des Arts, which opened September 7, 2011.
There have been a number of organizations with this name, including one formed in 1897, which lasted ten years, and another formed in 1930, which lasted eleven. The current ensemble, however, traces its roots back to 1934; Wilfrid Pelletier formed an ensemble called Les Concerts Symphoniques which gave its first concert January 14, 1935, under conductor Rosario Bourdon. The Orchestra acquired its current name in 1954. In the early 1960s, as the Orchestra was preparing to move to new facilities at Place des Arts, patron and prominent Montreal philanthropist, John Wilson McConnell, purchased the 1727 Laub-Petschnikoff Stradivarius violin for Calvin Sieb, the Symphony's concertmaster.
Though it began touring and recording modestly in the 1960s and early 1970s under the batons of a young Zubin Mehta and Franz-Paul Decker, the OSM became a household name under the directorship of Charles Dutoit, who became music director in 1977 after the brief tenure and jolting departure of Rafael Frühbeck de Burgos. Dutoit struck a friendship with a producer at London/Decca records named Ray Minshull, and a twenty-year collaboration was born. Throughout much of the 1980s and 1990s, Dutoit and the OSM released many well-received recordings and embarked on tours of North America, Europe, Asia, and South America. Most notable among this vast discography are the recordings of the French repertoire, especially the music of Maurice Ravel.
In recent years, the OSM has fallen on tough times. The London/Decca recordings ceased in the late 1990s as the entire recording industry was turned upside-down, and the international tours dried up soon afterward. Then, in 2002, the OSM suffered the abrupt resignation of Charles Dutoit as music director. History has a tendency to repeat itself, and Dutoit's departure, like that of his predecessor Frühbeck a quarter of a century earlier, occurred due to a minor spat pitting the ego of the individual against the ego of the collective. Here, the resignation was ultimately the result of an inflammatory public letter written by Emile Subirana, the head of the Québec musicians' guild, on behalf of the OSM's musicians. This letter, precipitated by Dutoit's decision to begin termination proceedings on two OSM musicians for artistic reasons, publicly aired years of bottled-up hostility, accusing Dutoit of being a tyrant and portraying the musicians as battered spouses.
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Wikipedia