An ophicleide
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Brass Instrument | |
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Classification | |
Hornbostel–Sachs classification | 423.21 |
Developed | 19th century |
Playing range | |
(same as trombones) | |
Related instruments | |
The ophicleide (/ˈɒfᵻklaɪd/ OF-ə-klide) is a keyed brass instrument similar to the tuba. It is a conical-bore keyed instrument belonging to the bugle family and has a similar shape to the sudrophone.
The instrument's name comes from the Greek word ophis (ὄφις) "serpent" + kleis (κλείς) "keys", since it was conceived of as a serpent with keys. Like the serpent, some found it difficult to play, and early twentieth century musicians felt it had a somewhat unpredictable sound, leading to the doggerel:
The ophicleide was invented in 1817 and patented in 1821 by French instrument maker Jean Hilaire Asté (also known as Halary or Haleri) as an extension to the keyed bugle or Royal Kent bugle family. It was the structural cornerstone of the brass section of the Romantic orchestra, often replacing the serpent, a Renaissance instrument which was thought to be outdated. Its long tubing bends back on itself, and it is played with a cupped mouthpiece similar to modern trombone and euphonium mouthpieces. It originally had nine keys, later expanded to as many as twelve keys, covering the large tone holes. Examples exist in E♭, C, B♭, and A♭ (soprano), F and E♭ (alto or quinticlave), B♭ and C (bass), and F or E♭ (contrabass). The most common members are the bass ophicleides pitched in B♭ or C. Soprano and contrabass instruments are very rare. Adolphe Sax and the modern maker Robb Stewart have built examples of soprano ophicleides an octave above the bass. Currently, only five contrabass ophicleides are known to exist. Three are in museums, and two are privately owned: one in Cooperstown, New York and one in Petaluma, California. Those in private hands were both made by Robb Stewart and are the only playable examples.