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One Hit (To the Body)

"One Hit (To the Body)"
RollStones-Single1986 OneHitToTheBody.jpg
Single by The Rolling Stones
from the album Dirty Work
B-side "Fight"
Released 9 May 1986
Format CD, 7", 12"
Recorded January – October, 1985
Genre Rock, hard rock
Length 7" - 4:44, 12" - 7:00
Label Rolling Stones
Writer(s) Jagger/Richards/Wood
Producer(s) Steve Lillywhite
and The Glimmer Twins
The Rolling Stones singles chronology
"Harlem Shuffle"
(1986)
"One Hit (To the Body)"
(1986)
"Mixed Emotions"
(1989)

"One Hit (To the Body)" is the opening track to English rock and roll band The Rolling Stones' 1986 album Dirty Work. The first Rolling Stones single to feature a Ron Wood co-writing credit with Jagger and Richards, it charted in the USA, Netherlands and Australia. Reaching number 80 in the UK, it was their poorest charting single at the time.

Credited to lead singer Mick Jagger, guitarist Keith Richards and guitarist Ron Wood, "One Hit (To the Body)" was largely the work of Richards and Wood. Both guitarists contributed heavily to Dirty Work overall, with Wood receiving credit alongside Jagger and Richards on another three songs. A sign of Wood's heavy contribution is the song's distinctive opening of an acoustic piece. Wood used Richards' own 1967 Martin D-18 to perform the jam in an attempt to come up with a proper electric riff, but the acoustic version remained. The band is known for their use of acoustic guitars to "shadow" their electric guitars; "Brown Sugar" being a prime example. Both Richards and Wood played electric, but the solo was provided by Led Zeppelin guitarist Jimmy Page. Page's contribution was the result of a short studio session between him and Wood after Page's request to hear what the band was working on. Drummer Charlie Watts provides the song's driving beat as well as its notable cymbal opening, while Bill Wyman plays bass.

Backing vocals on the song were provided by Richards, Wood, Bobby Womack, Patti Scialfa, Don Covay, and producer Steve Lillywhite's wife Kirsty MacColl. Recording and re-recording lasted throughout much of 1985. Two locations used were the Pathé Marconi Studios in Paris and New York City's RPM Studios.


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