CD

Compact Disc

The readable surface of a compact disc includes a spiral track wound tightly enough to cause light to diffract into a full visible spectrum
Media type	Optical disc
Encoding	Various
Capacity	Typically up to 700 MiB (up to 80 minutes audio)
Read mechanism	780 nm wavelength (infrared and red edge) semiconductor laser, 1200 Kibit/s (1×)
Write mechanism	1200 Kibit/s (1×)
Developed by	Philips, Sony
Usage	Audio and data storage

Compact disc (CD) is a digital optical disc data storage format released in 1982 and co-developed by Philips and Sony. The format was originally developed to store and play only sound recordings but was later adapted for storage of data (CD-ROM). Several other formats were further derived from these, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video Compact Disc (VCD), Super Video Compact Disc (SVCD), Photo CD, PictureCD, CD-i, and Enhanced Music CD. Audio CD players have been commercially available since October 1982, when the first commercially available CD player was released in Japan.

Standard CDs have a diameter of 120 millimetres (4.7 in) and can hold up to about 80 minutes of uncompressed audio or about 700 MiB of data. The Mini CD has various diameters ranging from 60 to 80 millimetres (2.4 to 3.1 in); they are sometimes used for CD singles, storing up to 24 minutes of audio, or delivering device drivers.

At the time of the technology's introduction in 1982, a CD could store much more data than a personal computer hard drive, which would typically hold 10 MB. By 2010, hard drives commonly offered as much storage space as a thousand CDs, while their prices had plummeted to commodity level. In 2004, worldwide sales of audio CDs, CD-ROMs and CD-Rs reached about 30 billion discs. By 2007, 200 billion CDs had been sold worldwide.

From the early 2010s CDs were increasingly being replaced by other forms of digital storage and distribution, with the result that audio CD sales rates in the U.S. have dropped about 50% from their peak; however, they remain one of the primary distribution methods for the music industry. In 2014, revenues from digital music services matched those from physical format sales for the first time.