"Nothing in My Way" | ||||
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Single by Keane | ||||
from the album Under the Iron Sea | ||||
B-side | "Thin Air" "Tyderian" |
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Released | 30 October 2006 | |||
Format | 7" Vinyl, CD single, 512 MB USB memory stick | |||
Recorded | Heliocentric Studios, Rye, East Sussex The Magic Shop, New York City |
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Genre | Alternative rock | |||
Length | 4:00 | |||
Label | Island | |||
Writer(s) | Tim Rice-Oxley, Tom Chaplin, Richard Hughes | |||
Producer(s) | Andy Green | |||
Keane singles chronology | ||||
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"Nothing in My Way" is a song performed and composed by English alternative rock band Keane for their second studio album Under the Iron Sea (2006). The song was also released 30 October 2006 as the third commercial and fourth overall single from that album in the United Kingdom. After the French pop rock band Bubblies, the single's release is notable as being the first ever commercial music release in USB format, a special edition limited to 1,500 copies.
"Nothing in My Way" was included as part of the FIFA 07 video game soundtrack.
Catalogue number: 1712175
Catalogue number: 1712200
It was composed by Tim Rice-Oxley in late 2004, debuting at the Rolling Stone Roadshow, Germany along with "Hamburg Song" on 20 October 2004. From 2004 to late 2005 (during the final sprint of the Hopes and Fears Tour) was called "Nothing in Your Way" though the lyrics remain almost the same. Chaplin plays his Hammond organ on live performances for the outro of this song.
It was recorded and at the Heliosentric Studios, Rye, East Sussex and at The Magic Shop, New York City in late 2005.
While the first demos and performances of this song were played in the key of C, the final studio version was recorded with a C sharp tuned 20 cts. above. For live performances this configuration is used too. The reminiscent "Somewhere Only We Know" intro (because of the "piano hammering") includes since then the distorted piano effect sound used in most songs on the album. Vocals are introduced with 24 seconds of playback. The introduction includes a riff created with Keane's distortion piano instrument. The song drives almost the same until the last chorus, when drumming becomes soft and Rice-Oxley plays a small riff with the piano to finally let Chaplin sing again becoming Rice-Oxley the backing vocalist of the outro.