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North Indian classical music

Music of India
A Lady Playing the Tanpura, ca. 1735.jpg
A Lady Playing the Tanpura, ca. 1735 (Rajasthan)
Genres
Traditional
Modern
Media and performance
Music awards
Music festivals
Music media
Nationalistic and patriotic songs
National anthem Jana Gana Mana
Regional music
Music of Pakistan
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Genres
Specific forms
Religious music
Ethnic music
Other music
Media and performance
Music awards Hum Awards
Lux Style Awards
Nigar Awards
Pakistan Media Awards
ARY Film Awards
Music charts Patari Haftanama
Music festivals All Pakistan Music Conference
Lahore Music Meet
Lok Virsa Mela
Music media

Magazines

Television

Internet

Nationalistic and patriotic songs
National anthem Qaumi Taranah
Regional music
  • Azad Jammu & Kashmir
  • Balochistan
  • Tribal Areas
  • Gilgit-Baltistan
  • Islamabad Capital Territory
  • Khyber Pakhtunkhwa
  • Punjab
  • Sindh
Music of Bangladesh
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Genres
Specific forms
Religious music
Ethnic music
Traditional music
Media and performance
Music awards
Music festivals
Music media

Radio

Television

Internet

Nationalistic and patriotic songs
National anthem Amar Sonar Bangla
Other Notuner Gaan (National March)
Ekusher Gaan (Ode to the Language Movement)
Regional music
Related areas
Other regions

Magazines

Television

Internet

Radio

Television

Internet

Hindustani classical music ([hin̪d̪us̪t̪ɑːn̪i]) is the traditional music of northern areas of the Indian subcontinent, including the modern states of India, Nepal, Bangladesh and Pakistan. It may also be called North Indian classical music or Shāstriya Sangīt. Its origins date from the 12th century CE, when it diverged from Carnatic music, the classical tradition of southern parts of the subcontinent.

Hindustani classical music has strongly influenced Indonesian classical music and Dangdut popular music, especially in instrumentation, melody, harmony, and beat. Its main instruments are tabla, sitar and modern guitars.

Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music. The central notion in both these systems is that of a melodic mode or raga, sung to a rhythmic cycle or tala. These principles were refined in the musical treatises Natya Shastra, by Bharata (2nd–3rd century CE), and Dattilam (probably 3rd–4th century CE).

In medieval times, the melodic systems were fused with ideas from Persian music, particularly through the influence of Sufi composers like Amir Khusro, and later in the Mughal courts. Noted composers such as Tansen flourished, along with religious groups like the Vaishnavites.


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