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![]() A Lady Playing the Tanpura, ca. 1735 (Rajasthan)
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Nationalistic and patriotic songs | |
National anthem | Jana Gana Mana |
Regional music | |
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Music of Pakistan | |
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Religious music | |
Ethnic music | |
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Hum Awards Lux Style Awards Nigar Awards Pakistan Media Awards ARY Film Awards |
Music charts | Patari Haftanama |
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All Pakistan Music Conference Lahore Music Meet Lok Virsa Mela |
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Magazines Television Internet |
Nationalistic and patriotic songs | |
National anthem | Qaumi Taranah |
Regional music | |
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Music of Bangladesh | |
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Religious music | |
Ethnic music | |
Traditional music | |
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Music media |
Radio Television Internet |
Nationalistic and patriotic songs | |
National anthem | Amar Sonar Bangla |
Other |
Notuner Gaan (National March) Ekusher Gaan (Ode to the Language Movement) |
Regional music | |
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Other regions | |
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Television
Internet
Radio
Television
Internet
Hindustani classical music ([hin̪d̪us̪t̪ɑːn̪i]) is the traditional music of northern areas of the Indian subcontinent, including the modern states of India, Nepal, Bangladesh and Pakistan. It may also be called North Indian classical music or Shāstriya Sangīt. Its origins date from the 12th century CE, when it diverged from Carnatic music, the classical tradition of southern parts of the subcontinent.
Hindustani classical music has strongly influenced Indonesian classical music and Dangdut popular music, especially in instrumentation, melody, harmony, and beat. Its main instruments are tabla, sitar and modern guitars.
Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music. The central notion in both these systems is that of a melodic mode or raga, sung to a rhythmic cycle or tala. These principles were refined in the musical treatises Natya Shastra, by Bharata (2nd–3rd century CE), and Dattilam (probably 3rd–4th century CE).
In medieval times, the melodic systems were fused with ideas from Persian music, particularly through the influence of Sufi composers like Amir Khusro, and later in the Mughal courts. Noted composers such as Tansen flourished, along with religious groups like the Vaishnavites.