Noah Wardrip-Fruin | |
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Nationality | American |
Known for | Digital Media and Interactive Fiction |
Notable work | Grand Text Auto, First Person: New Media as Story, Performance, and Game |
Noah Wardrip-Fruin is a Professor in the Computational Media department of the University of California, Santa Cruz, and is an advisor for the Expressive Intelligence Studio. He is an alumnus of the Literary Arts MFA program and Special Graduate Study PhD program at Brown University. In addition to his research in digital media, computer games, and software studies, he is a member of the Board of Directors of the Electronic Literature Organization.
Wardrip-Fruin's twinned research track -- arts and humanities on the one hand and computer science on the other—is reflected in the table of the contents of The New Media Reader, which he co-edited with Nick Montfort. He has also co-edited a series of new media textbooks and anthologies with Pat Harrigan: First Person: New Media as Story, Performance, and Game (2004) as well as Second Person: Role-Playing and Story in Games and Playable Media (2007), Third Person: Authoring and Exploring Vast Narratives (2009), and Expressive Processing (2009), all of which have been influential in the development of new media studies.
His collaborative works of electronic literature in installation form include Talking Cure (with Camille Utterback, Clilly Castiglia, and Nathan Wardrip-Fruin; 2002), which includes live video processing, speech recognition, and a dynamically composed sound environment and Screen (with Sascha Becker, Josh Carroll, Robert Coover, Shawn Greenlee, and Andrew McClain; 2003), which was created in the Cave at Brown University. He has also collaborated on what he calls "two textual instruments": News Reader and Regime Change (with David Durand, Brion Moss, and Elaine Froehlich). He also created Gray Matters with Michael Crumpton, Chris Spain and Kristin Allio (1995–97).