No Cities to Love
| No Cities to Love | ||||
|---|---|---|---|---|
 |
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| Studio album by Sleater-Kinney | ||||
| Released | January 20, 2015 | |||
| Studio | Tiny Telephone Recordings, San Francisco | |||
| Genre | ||||
| Length | 32:17 | |||
| Label | Sub Pop | |||
| Producer | John Goodmanson | |||
| Sleater-Kinney chronology | ||||
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| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 90/100 |
| Review scores | |
| Source | Rating |
| AllMusic |   |
| The A.V. Club | A− |
| Cuepoint | A |
| Entertainment Weekly | A |
| The Guardian |  |
| Mojo | |
| NME | 9/10 |
| Pitchfork Media | 8.7/10 |
| Rolling Stone | |
| Spin | 9/10 |
No Cities to Love is the eighth studio album by American rock band Sleater-Kinney, released on January 20, 2015, through Sub Pop. It is the first album following a decade-long hiatus and the band's 2005 release, The Woods. The album received universal acclaim from music critics and was listed on several "Best Albums of 2015" lists.
The album was recorded in secret mostly at Tiny Telephone in San Francisco, with additional sessions at Electrokitty in Seattle and Kung Fu Bakery in Portland. It was produced by John Goodmanson.
On December 22, 2014, No Cities to Love was accidentally streamed three weeks early by the band's label, Sub Pop. As of January 30, 2015, the album has sold 28,000 copies in the U.S. according to Nielsen SoundScan.
In support of the album, the band toured North America and Europe.Chicago Tribune critic Greg Kot listed the supporting tour as one of the winter's top rock shows.
No Cities to Love received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, it received an average score of 90, based on 39 reviews, which indicates "universal acclaim."Los Angeles Times critic Randall Roberts said "the work commands attention", while Jon Pareles from The New York Times said it was "the first great album of 2015", full of "hurtling, bristling, densely packed, white-knuckled songs that are all taut construction and raw nerve". In Cuepoint, Robert Christgau said it may be Sleater-Kinney's best record and wrote, "Honed back down to punky three-minute songs because the leisure to stretch out is a luxury they can’t presently afford, the music carries the seed of tumult to come, the sense that something or everything could explode without notice just the way this album did." In The Observer, Kitty Empire wrote that the band had executed "pretty much the most perfect comeback of recent years" and sounded "exactly as taut and emotive as they used to." Writing with high praise for Exclaim!, Chris Bilton called the record "a thoroughly raging collection of post-punk anthems that nudges up the powerful perfection of 2005's The Woods at least another notch." Music journalist Graham Reid said it had "all the stabbing energy of Gang of Four, the blazing passion of Siouxsie Sioux and the drama of Hole at their (rare) best". In an interview for Rolling Stone, musician St. Vincent said it was her favorite Sleater-Kinney record so far and "a crowning jewel in their legacy".
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