Niel Gow (1727–1807) was the most famous Scottish fiddler of the eighteenth century.
Gow was born in Strathbraan, Perthshire, in 1727, as the son of John Gow and Catherine McEwan. The family moved to Inver in Perthshire when Niel was an infant. He started playing the fiddle when very young and at age 13 received his first formal lessons from one John Cameron. In spite of being something of a musical prodigy, he originally trained as a weaver, but eventually gave up that trade to become a full-time musician. He was widely considered the best fiddle player in Perthshire, an area which was renowned for its musicians—the story goes that at age 18 he entered a competition that was being judged by John McCraw, a blind musician, who awarded him the first prize and then went on to claim that he "would ken his bow hand among a hunder[d] players" (detect Niel's style among a hundred players). This attracted the attention of the Duke of Atholl, who became Niel's patron, and also ensured Niel's employment for balls and dance parties put on by the local nobility. In time he became renowned as a fiddler.
Niel Gow was married twice. His first wife was Margaret Wiseman, and they had five sons and three daughters. His sons William, Andrew (1760), Nathaniel (1763), and John (1764) all followed their father as fiddlers and composers of fiddle music; two of the daughters were Margaret (1759) and Grizel (1761). The youngest son, Daniel (1765), died in infancy; William died in 1791 at age 40, and Andrew died in 1794 at 34. Of Niel's sons, Nathaniel is by far the most well-known and another fine composer of Scottish music, with nearly two hundred tunes to his credit. As a widower, Niel married Margaret Urquhart from Perth in 1768, and they went on to share a happy marriage until she died in 1805, which prompted his composition of one of his most famous tunes: "Niel Gow's Lament for the Death of his Second Wife". Niel died at Inver on 1 March 1807, aged 80.
According to John Glen (1895), Niel Gow composed, or is credited with composing eighty-seven dance tunes, "some of which are excellent." These tunes form the backstay of Scottish country dance music even today. However, it must be said that he was not above claiming good material from other composers as his own; Glen claims that at least a quarter of the eighty-seven tunes are either derived from older tunes or are copies of tunes published earlier elsewhere, often under a different title. The Biographical Dictionary of Eminent Scotsmen indicates that Gow's air of Locherroch Side was the basis for Robert Burns' ballad, "Oh! stay, sweet warbling Woodlark, stay."