Scottish country dance

A Scottish Country dance (SCD) is a form of social dance involving groups of couples of dancers tracing progressive patterns according to a predetermined choreography. Country dancing is sometimes mistaken for a type of folk dancing, but it is actually the ballroom dance form of Scotland, as its original base of dancers was from the more educated and wealthy classes of the Renaissance.

When it first became popular around the 18th century it was as a shorter, quicker form of dance that was a light relief from the more courtly dances normally danced. Derived from early British forms of Country dancing, SCD is related to English country dancing, contra dancing, cèilidh dancing, Old time dancing and Irish set dancing due to the combination of some of these dance forms in early Country dance forms and later cross-over introduced by their overlapping influences via dancers and dance masters.

Scottish country dancing (a social form of dance with three or more couples of dancers) should not be confused with Scottish highland dance (a solo form of dance). There is a certain amount of cross-over, in that there are Scottish country dances that include highland elements as well as highland-style performance dances which use formations otherwise seen in country dances, but these are relatively few when the two dance forms are considered each as a whole.

Scottish country dances are categorised as reels (including hornpipes), jigs, and strathspeys according to the type of music to which they are danced. The first two types (also called quick-time dances) feature fast tempos, quick movements and a lively feel. The third type (strathspey) has a much slower tempo and a more tempered, stately feel. It should be noted that although general guidelines are given below almost all elements of SCD have exceptions through the playfulness of the dance writers to the wide variety of influences and interpretations over the years; some exceptions include the Eightsome Reel (has two parts repeated as ABBBBBBBBA and is thus considerably longer than most other dances), The Wee Cooper of Fife (ten bar phrases - with music to match), The Willowtree (often only repeated four times despite having eight couples because the dance is mirrored from both ends of the set).

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