Nicky Silver

Nicky Silver is an American playwright. Formerly of Philadelphia, he resides in New York City. Many of his plays have been produced Off-Broadway, and also at the Woolly Mammoth Theatre Company in Washington, D.C.

As a teen, Silver attended Stagedoor Manor Performing Arts Training Center in upstate New York. He graduated from the New York University (NYU) Tisch School of the Arts.

Many of his early plays were originally produced off-off-Broadway at the Vortex Theatre in New York. Later, his plays premiered at Off-Broadway venues such as the Vineyard Theatre and Playwrights Horizons. Silver noted: "My first real break came when the artistic director of the Woolly Mammoth Theatre in Washington, D.C. happened to walk in and saw, 'Fat Man in Skirts.'" Several of his plays received premieres at the Woolly Mammoth Theatre Company in Washington, DC, including Fat Men in Skirts (1991), Free Will and Wanton Lust (January 1993) and The Food Chain (1993-94 season). In her review of Fat Men in Skirts at Woolly Mammoth Theatre for The Washington Post, Lloyd Rose wrote: "Silver is a modern American absurdist in the tradition of John Guare or Harry Kondoleon, but more of a lowbrow. His go-for-the-laugh instincts are as naked as any sitcom writer's. The dizzying, rather wonderful thing about "Fat Men in Skirts" is that such a shallow technique is made to serve such a deep and anguished vision. Silver never met a pain he couldn't laugh at."

Prerodactyls was produced Off-Broadway at the Vineyard Theatre in October 1993. Ben Brantley wrote in his New York Times review: "His grimly witty play 'Pterodactyls' recycles all the cliches of the unraveling all-American family and scales them up to the point that they become poignantly grotesque symbols of a species on the verge of extinction... staged with firecracker snap by David Warren and illuminated by several incandescent performances, 'Pterodactyls' offers, for its first three-quarters, as much antic fizz as any comedy in town."Pterodactyls gained additional recognition in the media because the play was produced with large dinosaurs by sculptor Jim Gary in its sets. Raised in Captivity was produced at the Vineyard Theater in March 1995. Ben Brantley wrote in his New York Times review: "The roads to alienation, as modern literature can testify, are many and varied. But they have seldom been mapped out with the fearless combination of comic artifice and heart-wrenching empathy that Mr. Silver brings to them. 'Raised in Captivity' is about guilt, redemption and self-punishment, and against all odds, it is also very funny."

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