Nick Currie
| Momus | |
|---|---|
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| Born |
Nicholas Currie 11 February 1960 Paisley, Scotland |
| Residence | Osaka, Japan |
| Other names | Momus |
| Occupation |
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| Years active | 1985–present |
| Website | imomus |
| Musical career | |
| Genres | |
| Labels | |
Nicholas "Nick" Currie (born 11 February 1960), more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter, author, blogger and former journalist for Wired.
For over thirty years he has been releasing, to marginal commercial and critical success, albums on labels in the United Kingdom, the United States, and Japan. In his lyrics and his other writing he makes seemingly random use of decontextualized pieces of continental (mostly French) philosophy, and has built up a personal world he says is "dominated by values like diversity, orientalism, and a respect for otherness."
Momus began by recording post-punk material with ex-members of Josef K in a group called The Happy Family in the early 1980s and was associated with the musicians around Postcard Records (although he never recorded for that label). His debut solo album Circus Maximus (1986, él records) explored biblical themes in dark, almost Gothic acoustic style. His debt to the influence of Gallic pop was clear from a subsequent, sardonically self-referencing cover of Jacques Brel's "Jacky" and portraits of himself in the style of early 1960s Serge Gainsbourg.
In 1987, when he lived in London, he signed to Creation Records and began to record the hyper-literate, quirky pop songs for which he is best known. A trio of albums, The Poison Boyfriend, Tender Pervert and Don't Stop The Night, blended accessible dance-pop with such heavy lyrical themes as paedophilia, necrophilia and adultery. The latter album almost yielded a hit in the UK with "The Hairstyle of the Devil" which peaked at No. 94 in the UK Singles Charts in May 1989, and was a local hit, coming in at #32 on a year-end list, at San Francisco's KITS Live 105 radio station. Subsequent albums on Creation included Hippopotamomus, a scatological tribute to Gainsbourg, as Momus continued to push boundaries of acceptability within accessible pop structures.
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Wikipedia