New wave in Yugoslavia (Bosnian, Croatian and Slovene: Novi val; Serbian: Нови талас, Novi talas; Macedonian: Нов бран, transl.: Nov bran; all meaning "New wave") was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the US new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk").
The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a "buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene in general, including the freshly arrived new wave music, was socially accepted, well developed and covered in the media. New wave was especially advocated by the magazines Polet from Zagreb and Džuboks from Belgrade, as well as the TV show Rokenroler, which was famous for its artistic music videos.