"Never Say Never" | ||||
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Single by Basement Jaxx featuring ETML | ||||
from the album Junto | ||||
Released | June 27, 2014 | |||
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Length | 4:23 | |||
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Producer(s) | Basement Jaxx | |||
Basement Jaxx singles chronology | ||||
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ETML singles chronology | ||||
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"Never Say Never" is a song written, performed and produced by British electronic music duo Basement Jaxx. Featuring vocals from Elliot Marshall (credited under the stage name "ETML"), it was written by Simon Ratcliffe, Felix Buxton and Marshall. A soulful disco, house, R&B pop song, it was compared to the works of artists including Calvin Harris, SBTRKT, Womack & Womack and Gavin DeGraw, and labels such as Ministry of Sound and West End Records. The song was well received by critics, with praise going towards the group's roots that never made the sound too dated.
"Never Say Never" was released on 27 June 2014, as a single off their 2014 album Junto. Remixes by Tiësto, MOTi, Gotsome Bring It Back, Wayward and Mark Knight have also came out, as well as an extended mix of the original song. In the group's home country, it reached number 18 on the UK Indie Chart. Elsewhere it became a number-one hit on the American Billboard Hot Dance Club Songs chart, and the duo's fourth song to top that chart. It also appeared on record charts in Australia, Belgium and Japan. The official accompanying music video, written and directed by Saman Kesh, premiered on 21 July 2014, and follows Japanese scientists trying to make a twerking robot.
"Never Say Never" was written by Simon Ratcliffe, Felix Buxton and Elliot Marshall. It was produced by the former two, with Baunz handling co-production. In addition to the lead vocals from Marshall (who is credited under "ETML"), the track also features backing vocals from Yzabel, as well as kids chorus vocals from Amara Charles, Kiarah and Shamouy Mills-Foster. It is a soulful mid-tempo disco house R&B pop song. Introduced with "deceptively cinematic strings" and a "vintage, slightly dusty" piano, "dub-leaning" bass and drums are also present in the arrangement. Many critics noted it to be more relaxed and less cartoonishness than many of Basement Jaxx's other songs.