Neue Bach-Ausgabe
| Edited by |
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|---|---|
| Original title | Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke |
| Language | German |
| Discipline | Critical music edition |
| Publisher | Bärenreiter |
| Published | 1954–2007 |
| No. of books | 69 |
| Website | www |
The New Bach Edition (NBE), in German Neue Bach-Ausgabe (NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach: New Edition of the Complete Works (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke). It is a historical-critical edition (German: historisch-kritische Ausgabe) of Bach's complete works by the Johann Sebastian Bach Institute (Johann-Sebastian-Bach-Institut) in Göttingen and the Bach Archive (Bach-Archiv) in Leipzig,
When Bach died most of his work was unpublished. The first complete edition of Bach's music was published in the second half of the nineteenth century by the Bach Gesellschaft (Bach-Gesellschaft Ausgabe, BGA). The second complete edition includes some discoveries made since 1900, but there are relatively few such scores. The significance of the NBE lies more in its incorporation of the latest scholarship. Although the NBE is an urtext edition rather than a facsimile edition, it includes many facsimiles of Bach manuscripts.
In 1950, the commemorations of the bicentennial of Bach's death in Göttingen and Leipzig led to the initiative to publish his complete works in a critical scientific edition. Musicologists such as Friedrich Blume, Max Schneider, Friedrich Smend and Heinrich Besseler, and sponsors such as Bernhard Sprengel and Otto Benecke made the project possible, supported by the editor Karl Vötterle.
The Neue Bachgesellschaft recommended to pursue the project as a joint venture of musicologists in Göttingen, then West Germany, and Leipzig, then East Germany, in order to stress that the common cultural heritage was undivisible. The Bach Archive and the Johann Sebastian Bach Institute collaborated, their directors Werner Neumann and Alfred Dürr made the new edition their life's project. The publishers were Bärenreiter in Kassel, chosen in 1951 by the Federal Government, and from 1954 the Deutscher Verlag für Musik, a new publisher in Leipzig which was involved until the unification of Germany.
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