National Arts Centre
| National Arts Centre Centre national des Arts (French) |
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| Location | Ottawa, Ontario, Canada |
| Coordinates | 45°25′23″N 075°41′38″W / 45.42306°N 75.69389°WCoordinates: 45°25′23″N 075°41′38″W / 45.42306°N 75.69389°W |
| Opened | June 2, 1969 |
| Built | 1969 |
| Current use | Arts centre |
| Architect | Fred Lebensold |
| Website | www |
| Designated | 2006 |
The National Arts Centre (NAC) (French: Centre national des Arts) is a centre for the performing arts located in Ottawa, Ontario, between Elgin Street and the Rideau Canal. The National Arts Centre was designated a National Historic Site of Canada in 2006.
Ottawa did not have a major performing arts venue after 1928 when the Russell Theatre was expropriated and demolished to make way for Confederation Square. Performers and orchestras visiting the capital were required to use the stage of the Capitol Cinema, which had been designed for vaudeville and films. In 1963, an organization named the National Capital Arts Alliance was founded by G. Hamilton Southam and Levi Pettler. They successfully convinced the city and government to build the new centre.
The NAC was one of a number of projects launched by the government of Lester B. Pearson to commemorate Canada's 1967 centenary. It opened its doors to the public for the first time on 31 May 1969 having cost C$46 million to build. The site at one time was home to Ottawa City Hall, and the city donated the land to the federal government. Conductor Jean-Marie Beaudet served as the NAC's first music director (1969-1971). In June 2010 a life size bronze statue of the Canadian jazz pianist Oscar Peterson was unveiled outside the NAC by Queen Elizabeth II during her royal tour of Canada.
In February 2014, the centre unveiled a new logo and slogan, Canada is our stage, in preparation for its fiftieth anniversary in 2019. The former logo had been designed by Ernst Roch and was in use since the centre's opening.
The building, designed by Fred Lebensold, is in the Brutalist style and based on the shape of a triangle and hexagon. The building is constructed of reinforced concrete. The exterior and many interior walls are faced with precast concrete panels containing exposed aggregate of crushed brown Laurentian granite. The center rises from a base that sits on a 950-space underground parking garage. The base houses offices, lobbies, dressing rooms, workshops and a restaurant. The site slopes from Elgin Street to the Rideau Canal allowing for a second underground level overlooking the canal. The roof of the base forms a multi-level terrace containing gardens that are open to the public and connects to the Mackenzie King Bridge. The three main performance spaces rise from the base as a series of hexagonal structures also faced with brown precast panels in a variety of textures. Windows are tall, narrow slits framed by vertical ribs. The hexagonal theme flows through the interior and appears in ceilings, light fixtures and flooring. Lobbies and stairwells house several major pieces of visual art.
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