Naked | ||||
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Studio album by Talking Heads | ||||
Released | March 15, 1988 | |||
Recorded | 1987 | |||
Studio |
Studio Davout in Paris; additional recording & mixing at Sigma Sound Studios in Manhattan. |
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Length | 52:17 | |||
Label | Warner Bros. | |||
Producer | Steve Lillywhite and Talking Heads | |||
Talking Heads chronology | ||||
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Naked is the eighth and final studio album by American rock band Talking Heads, released in early 1988. The band dissolved shortly after the album's release, but did not announce their breakup until 1991.
A rare JVC pressing of the Sire CD was one of a limited number of CDs from Warner Bros. Records to be encoded with CD+Graphics, a videotext-type signal with song lyrics, instrumentation, chords and other information, viewable on a standard television from a compatible CD or Karaoke-CD player. The graphics were produced by Warner New Media and designed by M&Co. Such discs were identified by a sticker on the CD's shrinkwrap and as part of the CD label artwork.
In 2005, it was re-released and remastered by Warner Music Group on their Warner Bros., Sire and Rhino Records labels in DualDisc format, with one bonus track on the CD side ("Sax and Violins", from the Wim Wenders film Until the End of the World). The DVD-Audio side includes both stereo and 5.1 surround high resolution (96 kHz/24bit) mixes, as well as a Dolby Digital version and videos of "Blind" and "(Nothing But) Flowers". In Europe, it was released as a CD+DVDA two disc set rather than a single DualDisc. The reissue was produced by Andy Zax with Talking Heads.
Wanting to try something different after their use of regional American music and the pop song format on their previous two albums, Little Creatures and True Stories, Talking Heads decided to record their next album in Paris with a group of international musicians. Prior to leaving for France, the band recorded about 40 improvisational tracks that would serve as the foundation for the sessions in Paris.
In Paris, the band, along with producer Steve Lillywhite, were joined by a number of other musicians in the recording studio where they would rehearse and play for the entire day. At the end of each day, one take was selected as being the ideal version of a particular tune.