Nagareshvara Temple, Bankapura

Nagareshvara Temple
Hindu temple
Large open mantapa in Nagareshvara temple (11th century CE) at Bankapura in Haveri district
Country	India
State	Karnataka
District	Haveri District
Languages
• Official	Kannada
Time zone	IST (UTC+5:30)
PIN	581202

The Nagareshvara Temple, (also spelt Nagaresvara or Nagareshwara) also called the Aravattukambhada Gudi (lit, "Temple with sixty columns") is a 12th-century Western Chalaukya (also called Later Chalukya or Kalyani Chalukya) construction. Bankapura is located in the Haveri District of Karnataka state, India. According to the Archaeologist Henry Cousens (1854–1933), during medieval times, the Bankapura fort was considered one of the most important fortifications in the Karnataka region. According to Cousens, the temple suffered much damage when Bankapura fell to the armies of Firoz Shah Bahamani in 1406 CE and later again when it was occupied by the Bijapur Sultan Adil Shah. According to the writings of Farishtah, the Sultan "ordered a superb temple within the fort to be destroyed". However, despite much pillage, the large temple with its majestic "great" hall (mantapa) still retains some of its original beauty. That the temple was built in honor of the Hindu god Shiva comes from two short inscriptions in the temple which begin with a salutation to "Shambu" (another name for the Hindu god Shiva). There are other inscriptions in the temple, two of which are dated 1138 CE and one dated 1091 that record grants to the god "Nagaresvaradeva". The temple is protected as a monument of national importance by the Archaeological Survey of India.

According to the historian Kamath, Western Chalukya architecture has a pride of place in Indian architectural tradition, and had a significant influence on the later day Hoysala architecture. According to art historian Adam Hardy, this temple is assignable to the 12th century and belongs to the non-mainstream Western Chalukya art. It is constructed with soap stone material and comprises a small shrine (vimana) and a closed hall (mantapa) that connects to a large open hall (Mahamantapa or Navaranga). Like all Western Chalukyan temples, the sanctum is connected to the large hall via a vestibule ("antechamber" or ardhamantapa, which literally means "half hall"). At the end of the large hall, facing the sanctum is an open Nandimantapa (a small open hall with a seated sculpture of Nandi the bull, a companion to the god Shiva). According to the art historian Percy Brown, the Western Chalukya architects provided well rendered external wall surfaces for the shrine and the halls. This they did by spacing out the surface with slender full and half pilasters. On top of the half pilasters are miniature decorative towers (shikhara, called aedicula) with niches underneath.