NDW
| Neue Deutsche Welle | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1970s, Germany |
| Typical instruments | |
| Other topics | |
Neue Deutsche Welle (NDW, pronounced [ˈnɔʏə ˈdɔʏtʃə ˈvɛlə]; "New German Wave") is a genre of german rock music originally derived from post-punk and new wave music with electronic influences. The term "Neue Deutsche Welle" was first used in a record shop advertisement by Burkhardt Seiler in the German magazine Sounds in August 1979, and then coined by journalist Alfred Hilsberg whose article about the movement titled "Neue Deutsche Welle — Aus grauer Städte Mauern" ("New German Wave — From Grey Cities' Walls") was published in Sounds in October 1979.
The history of the Neue Deutsche Welle consists of two major parts. From its beginnings to 1981, the Neue Deutsche Welle was mostly an underground movement with roots in British punk and new wave music; it quickly developed into an original and distinct style, influenced in no small part by the different sound and rhythm of the German language which many of the bands had adapted from early on. Whilst some of the lyrics of artists like Nena and Ideal epitomized the Zeitgeist of urban West Germany during the Cold War, others used the language in a surreal way, merely playing with the sound or graphic quality of the language rather than using it to express meaning, as done by bands and artists like Spliff, Joachim Witt and Trio.
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