My Love Came Back
| My Love Came Back | |
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Theatrical release poster
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| Directed by | Curtis Bernhardt |
| Produced by | Hal B. Wallis |
| Screenplay by | |
| Based on |
Episode 1935 film by Walter Reisch |
| Starring | |
| Music by | Heinz Eric Roemheld |
| Cinematography | Charles Rosher |
| Edited by | Rudi Fehr |
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Production
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| Distributed by | Warner Bros. Pictures |
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Release date
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Running time
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85 minutes |
| Country | United States |
| Language | English |
My Love Came Back is a 1940 American comedy-drama film directed by Curtis Bernhardt and starring Olivia de Havilland, Jeffrey Lynn, Eddie Albert, and Jane Wyman. Based on the 1935 Austrian film Episode written and directed by Walter Reisch, the film is about a gifted young violinist who considers leaving a prestigious music academy to play in a jazz band to earn money. The academy's new president—a distinguished wealthy patron of the arts—convinces her to stay after secretly arranging a scholarship for her out of his own pocket, and the two begin attending concerts together. Complications arise when he asks his young business manager to take his place at one of the concerts. The film is notable for Heinz Eric Roemheld's musical direction and Ray Heindorf's unique swing orchestral arrangements of classical pieces. My Love Came Back was released by Warner Bros. Pictures in the United States on July 13, 1940.
A beautiful young violinist named Amelia Cornell (Olivia de Havilland) is a student at the prestigious Brissac Academy of Music in New York City. Unable to support her mother on her meager scholarship stipend, she is forced to provide music lessons in her spare time—something strictly forbidden by the school and enforced zealously by the dean of the school, Dr. Kobbe (Grant Mitchell). Frustrated by her financial constraints and at being treated like a child by the dean, Amelia decides to leave the academy and join a jazz group led by her fellow student and swing bandleader Dusty Rhodes (Eddie Albert).
Meanwhile, after seeing Amelia perform at a concert, a distinguished wealthy patron of the arts, Julius Malette (Charles Winninger), finally accepts the academy's offer to make him president of the school—an offer inspired by Julius' wealth and influence. When he learns that Amelia is planning to leave the academy for financial reasons, Julius—who has a crush on the much younger violinist—secretly arranges for a second scholarship that will allow her to continue her studies. After Amelia meets her patron, the kind and gentlemanly president sends her a phonograph player and records, and escorts her to concerts to broaden her musical experience.
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