Music of the DRC
| Music of the Democratic Republic of the Congo | |
|---|---|
| General topics | |
| Genres | |
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| Media and performance | |
| Music festivals | |
| Music media | Kinshasa Symphony |
| Nationalistic and patriotic songs | |
| National anthem | "Debout Congolais" |
| Regional music | |
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Francophone Africa |
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Francophone Africa
Music of the Democratic Republic of the Congo varies in its different forms. Outside Africa, most music from the Democratic Republic of Congo is called Soukous, which most accurately refers instead to a dance popular in the late 1960s. The term rumba or rock-rumba is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive.
People from the Congo have no single term for their own music per se, although muziki na biso ("our music") was used until the late 1970s, and now the most common name is ndule, which simply means music in the Lingala language; most songs from the Democratic Republic of the Congo are sung in Lingala.
Since the colonial era, Kinshasa, Congo's capital, has been one of the great centers of musical innovation. The country, however, was carved out from territories controlled by many different ethnic groups, many of which had little in common with each other. Each maintained (and continue to do so) their own folk music traditions, and there was little in the way of a pan-Congolese musical identity until the 1940s.
Like much of Africa, Congo was dominated during the World War II-era by rumba, a fusion of Latin and African musical styles that came from the island of Cuba. Congolese musicians appropriated rumba and adapted its characteristics for their own instruments and tastes. In the 1950s, record labels began appearing, including CEFA, Ngoma, Loningisa and Opika, each issuing many 78 rpm records; Radio Congo Belge also began broadcasting during this period. Bill Alexandre, a Belgian working for CEFA, brought electric guitars to the Congo.
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Wikipedia