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Murtipujaka


Mūrtipūjaka (lit. "image-worshipper"), also known as Derāvāsī ("temple-dweller") or Mandir Mārgī ("follower of the temple path"), is a term for the largest sect of Śvetāmbara Jainism. Mūrtipūjaka Jains differ from both Śvetāmbara Sthānakavāsī and Śvetāmbara Terāpanthī Jains in that they worship images of the Tīrthaṅkaras. Mūrtipūjaka may also generally describe members of both the Śvetāmbara and Digambara traditions who use images (mūrti) in their worship (pūjā).

According to Nalini Balbir, all Śvetāmbara sects agree upon "the authority of the Śvetāmbara canonical scriptures, with slight differences; claims of monastic descent from Sudharman, except for the Upakeśa-gaccha; [and] white monastic robes [for] monks and nuns." However, despite these commonalities, a central division exists between each of the sects as related to the use of images in worship.

Indeed, the early Jain reformer Loṅkā Śāh used the term "mūrtipūjaka" to classify an image-worshipping Jain from other kinds. Loṅkā's full biography is speculative at best, but the standard presentation is that he was a scribe who lived in the Gujarat region during the 15th century. His occupation allowed him access to many Jain scriptures and manuscripts, which he discovered lacked references to the construction of temples or the worship of images, despite both being prevalent during that time. He argued that these practices were spiritually dangerous by grounding them as violations of ahiṃsā, the principle of non-injury that is central to Jain religion and philosophy. According to Loṅkā, re-shaping the land to build temples leads to the destruction of small and microscopic organisms, and pūjā rituals entail "subtle forms of harm" through material offerings such as flowers or incense. Loṅkā's lasting influence brought to light an aniconic impulse within a strict, doctrinal understanding of Jain teaching. The Śvetāmbara Sthānakavāsī and Terāpanthī sects accept this impulse, agreeing with Loṅkā that the most appropriate form of religious practice is mental worship (bhāva-pūjā), which is already performed by mendicants, because the reliance on images and temples is indicative of an attachment to objects that is "spiritually counterproductive."


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