Munich Film Museum
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| Established | 1963 |
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| Location | Munich, Germany |
| Type | Film Museum |
The Munich Film Museum (Film Museum in the Munich Stadtmuseum) is one of six film museums in Germany. It has no showrooms and is limited to screening the films in a single cinema with 165 seats, as well as collecting, archiving, and restoring film copies. All analog and digital formats (except 70mm) can be shown.
The Film Museum was founded in late 1963 as a department of the Munich Stadtmuseum and holds an extensive collection of copies of historical films. Which are also restored and copied locally. Special focus is placed on the collection of German silent films, the work of the German film immigrants from the Nazism period, the New German Cinema, as well as the Munich film history (e.g. Karl Valentin, Herbert Achternbusch, documentary material about Munich). As cinematheque, the museum makes its collection accessible to public and research. The in-house cinema - one of the first municipal theaters of the Federal Republic of Germany - is one of the few places in Germany, in which full historical-film retrospectives and silent films with live musical accompaniment are regularly presented. The museum does not have a permanent exhibition. Yearlong efforts in the 1980s and 1990s to attain a second cinema and an appreciation of the cinema through separation from the Munich Stadtmuseum and a renaming to the Bavarian Film Museum were unsuccessful.
The Munich Film Museum has been pioneering work in the restoration of films since the 1970s. The then head, Enno Patalas, began with the restoration of German silent films from directors such as Fritz Lang, Ernst Lubitsch, G. W. Pabst or F. W. Murnau. Before then, silent films were often presented in very poor condition, mutilated with incorrect (too fast) projection speeds. Patalas undertook pianist Aljoscha Zimmermann as the cinema pianist. Zimmermann researched for the original scores or wrote accompanying music.
The film museum houses the cinematic works of filmmakers, who as frontier workers cannot be assigned a national film archive, such as Orson Welles, Thomas Harlan, Jean-Marie Straub and Danièle Huillet, Nicolas Humbert, Werner Schroeter and Wim Wenders. Since 1995, the museum possesses the estates of Orson Welles, in particular to the materials of unfinished films. The museum was given the Welles estates from his last companion Oja Kodar.
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