Mozart 252
| Mozart 252 | ||||
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| Studio album in tribute to Wolfgang Amadeus Mozart by Michael Nyman | ||||
| Released | 3 March 2008 (UK) 27 May 2008 (United States) |
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| Recorded | 14–15 April 2005 (Abbey Road Studios) 29 November 2005, 27 April 2006 (Angel Studios) 14 July 2006 (Olympic Studios) |
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| Genre | Contemporary classical music, minimalist music, film music. opera recital | |||
| Length | 50:28 | |||
| Language | English | |||
| Label | MN Records | |||
| Director | Michael Nyman | |||
| Producer | Michael Nyman | |||
| Michael Nyman chronology | ||||
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| The Times |   |
Mozart 252 is a 2008 album by Michael Nyman (his 58th release) with the Michael Nyman Band, Hilary Summers, and Andrew Slater, celebrating the 250th anniversary of Wolfgang Amadeus Mozart's birth. Although "Revisiting the Don," one of only two newly written works on the album, was commissioned and performed in 2006, the album's title is a joke on its lateness as an album, released 252 years after Mozart's birth ("it seemed more appropriate to miss the beat by two years"). The album also includes "In Re Don Giovanni," Nyman's first composition for the band, which is based on the first fifteen bars of "Madamina, il catalogo è questo" from Don Giovanni, six selections from Peter Greenaway's film, Drowning by Numbers, in which he was instructed to base the music on the slow movement of Mozart's Sinfonia Concertante K. 364, and two duets and an aria from Nyman's television opera, Letters, Riddles and Writs, in this recording featuring bass Andrew Slater as Leopold Mozart and contralto Hilary Summers as Wolfgang.
The album appears on emusic's list of The Best Albums of 2008.
Nyman's liner notes are relatively brief and refer the reader to Pwyll ap Siôn's The Music of Michael Nyman: Texts, Contexts and Intertexts for an extensive analysis of the relationship of Mozart's music to Nyman's. Nyman notes that "Not Knowing the Ropes" is the piece erroneously titled "Knowing the Ropes" on the original Drowning by Numbers soundtrack. The piece "Knowing the Ropes" is a sort of "list" in the way that "Trysting Fields" is a list, but he is unclear on the relationship of the two pieces, which are similar to one another. "Trysting Fields" is built out of every appoggiatura from the movement in order (each repeated three times), and ends with a bit of "rock and roll". "Knowing the Ropes" is based on a "wiggly" semiquaver in the piece.
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