Moss Hart | |
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Hart in 1940
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Born | October 24, 1904 New York City, New York, U.S. |
Died | December 20, 1961 (aged 57) Palm Springs, California, U.S. |
Spouse | Kitty Carlisle (1946–1961, his death; 2 children) |
Moss Hart (October 24, 1904 – December 20, 1961) was an American playwright and theatre director.
Hart was born in New York City and grew up in relative poverty with his English-born Jewish immigrant parents in the Bronx and in Sea Gate, Brooklyn.
Early on he had a strong relationship with his Aunt Kate, with whom he later lost contact due to a falling out between her and his parents, and Kate's weakening mental state. She piqued his interest in the theater and took him to see performances often. Hart even went so far as to create an "alternate ending" to her life in his book Act One. He writes that she died while he was working on out-of-town tryouts for The Beloved Bandit. Later, Kate became eccentric and then disturbed, vandalizing Hart's home, writing threatening letters and setting fires backstage during rehearsals for Jubilee. But his relationship with her was formative. He learned that the theater made possible "the art of being somebody else… not a scrawny boy with bad teeth, a funny name… and a mother who was a distant drudge."
After working several years as a director of amateur theatrical groups and an entertainment director at summer resorts, he scored his first Broadway hit with Once in a Lifetime (1930), a farce about the arrival of the sound era in Hollywood. The play was written in collaboration with Broadway veteran George S. Kaufman, who regularly wrote with others, notably Marc Connelly and Edna Ferber. (Kaufman also performed in the play's original Broadway cast in the role of a frustrated playwright hired by Hollywood.) During the next decade, Kaufman and Hart teamed on a string of successes, including You Can't Take It with You (1936) and The Man Who Came to Dinner (1939). Though Kaufman had hits with others, Hart is generally conceded to be his most important collaborator.