Mont Sainte-Victoire and the Viaduct of the Arc River Valley

Mont Sainte-Victoire and the Viaduct of the Arc River Valley
The Mont Sainte-Victoire and the Viaduct of the Arc River Valley
Artist	Paul Cézanne
Year	1882 (1882)—1885 (1885)
Medium	oil-on-canvas
Dimensions	65.5 cm × 81.7 cm (25.8 in × 32.2 in)
Location	Metropolitan Museum of Art, New York
Owner	Metropolitan Museum of Art

The Mont Sainte-Victoire and the Viaduct of the Arc River Valley is an 1882—85 painting by the French artist Paul Cézanne. It is in the Metropolitan Museum of Art in New York.

The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was painted from 1882 to 1885, and was completed 21 years before Cézanne's artistic career finished. Cézanne began working on impressionism in his artworks in the late 19th century, nearing the end of his career, away from his post-impressionist former paintings. A later example of this can be seen in The Card Players. These mainly included still lifes and landscapes such as Mont Sainte-Victoire and the Viaduct of the Arc River Valley. His aim was "to make of Impressionism something solid and durable, like the art of museums." It was painted in the 'mature' period of Cézanne's work.

The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer. After Henry died in 1907, the work passed to Louisine; it was donated to the museum following her death in 1929 as part of the Havemeyer collection of 142 artworks.

The painting depicts the Montagne Sainte-Victoire, which dominates the landscape of his native city of Aix-en-Provence (southern France). The city is visible in the distance, far back from the valley of the Arc River. Moreover, this painting depicts the railway bridge on the Aix-Marseille line at the Arc River Valley and the train which runs on it.

It is 65.5 cm × 81.7 cm (25.8 in × 32.2 in) in size, one of Cézanne's smallest works in his artistic career. Cézanne depicted the same mountain several other times, including in Mont Sainte-Victoire seen from Bellevue, in Mont Sainte-Victoire with Large Pine, in Plain by Mont Sainte-Victoire, and in paintings titled simply Mont Sainte-Victoire in the holdings of the Courtauld Institute of Art in London and the National Gallery of Scotland in Edinburgh. Mont Sainte-Victoire and the Viaduct of the Arc River Valley was painted near the end of his working career.