The Moore River Native Settlement was the name of the now defunct Aboriginal settlement and internment camp located 135 kilometres (84 mi) north of Perth and 11 kilometres (6.8 mi) west of Mogumber in Western Australia, near the headwaters of the Moore River.
The settlement was opened by the Government of Western Australia in 1918. It was originally intended to be a small, self-supporting farming settlement for 200 Aboriginal people, with schooling and health facilities available for the children and employment opportunities for the adults. The settlement was supposed to accommodate Aboriginal people mainly drawn from the Murchison, Midlands and south-west regions of Western Australia.
The ambition to turn the settlement into a farming community failed because the land was unsuitable for cultivation. During the 1920s its purpose shifted: Residents were usually brought there against their will as the camp attempted to fulfil the broader functions of orphanage, creche, relief depot and home for old persons, unmarried mothers, and the unwell. It also housed many "half-caste" (mixed-race) children. Many of the Aboriginal and mixed-race children were sent to Moore River, usually against their will, as part of the Stolen Generations
The Moore River Native Settlement was opened under the auspices of the Chief Protector of Aborigines A. O. Neville. Neville came to this position completely inexperienced in Aboriginal affairs or any dealings with Aboriginal people. He was strongly guided by Rufus Henry Underwood. Neville adopted Underwood's anti-mission stance and between them developed the 'native settlement scheme', devised to meet the varying demands of non-Aboriginal people, for their segregation from the wider community and the continuing need for Aboriginal labour. It was also meant to fulfill Neville and Underwood's determination to devise a solution involving an absolute minimum of expenditure.
The below timeline is based in part on the chronology created by the Mogumber Heritage Committee and published in 1990 as part of their Pictorial Collection Exhibition