Mogubai Kurdikar
| Mogubai Kurdikar मोगुबाई कुर्डीकर |
|
|---|---|
| Birth name | Mogubai Kurdikar |
| Born | July 15, 1904 |
| Origin | Kurdi, Goa |
| Died | February 10, 2001 (aged 96) |
| Genres | Hindustani Classical Music - Khayal |
| Occupation(s) | Hindustani Classical Vocalist |
Mogubai Kurdikar (July 15, 1904 – February 10, 2001) was a renowned Hindustani classical music vocalist of the Jaipur-Atrauli gharana.
Mogu Kurdikar was born in a Gomantak Maratha Samaj community in the village of Kurdi in the then Portuguese Goa. When she was ten years old, her mother, Jayashreebāi, took her to the temple at Zambavli, and arranged for a wandering holyman to teach music to Mogu for a while. Later she took Mogu to a traveling theater company, the Chandreshwar Bhootnāth Sangeet Mandali, and the company took Mogu in as an actress.
While Mogu was with Chandreshwar Bhootnath Mandali, her mother died. A legend says that on her deathbed the mother told Mogu that her soul would not rest in peace until Mogu became a famous singer. The theater company soon went bankrupt, and the rival Sātārkar Stree Sangeet Mandali hired Mogu. She played commendably the parts such as of Kinkini in the play, Punyaprabhāv, and of the heroine Subhadrā in the play with the same name, Subhadrā. A conflict arose, however, between Mogu and one of the senior women in the theater company, who then expelled Mogu from the company. Mogu moved to Sāngli, and took some music lessons from Ināyat Khān of the Rāmpur-Sahaswan gharānā. For some reason, however, he too soon decided to terminate giving her further lessons.
At this time, vocalist legend Gaansamrat Alladiya Khan Saheb was in Sangli for medical treatment, and on his way to and from his doctor's, he walked by Mogu's residence, where he would hear her practice what she had learnt from Inayat Khan. One day he stopped, introduced himself and offered to teach her. Young Mogu of course agreed, but despite Alladiya's fame, she had not heard of him – it was not until some time later, when she observed dignitaries bow down to him, that she fully realised his standing.
After some eighteen months, Alladiya Khan moved to Bombay (or Mumbai), and Mogu followed. Thus begun a time of intrigue in Bombay's high-society and classical music circles.
For Alladiya was supported in Bombay by wealthy patrons in exchange for music teaching, and they would not let him take other students. In desperation, Mogu turned to Bashir Khan of the Agra gharana, who agreed to teach her if she would perform the formal gandha-bandan (thread-tying) ceremony of guru-shishya discipleship with fellow Agra ustad Vilayat Hussain Khan. This came to happen, and Alladiya heard of it. He demanded that she stop the discipleship and instead go to his brother, Hyder Khan. But as the Agra ustads had a lot of clout, Mogu hesitated, and solicited a promise that Alladiya would teach her himself in the future if Hyder ever failed to do so. A deal was worked out, Hyder taught her for a while, but Alladiya's rich and powerful students were putting a lot of pressure on him to put a stop to it, increasingly jealous of her progress. About 1930, Alladiya felt forced to persuade his brother to stop teaching and leave town, but came clean to the heartbroken Mogu about what had happened, essentially breaking his promise.
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