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Miss Liberty

Miss Liberty
MissLiberty.jpg
Sheet music cover
Music Irving Berlin
Lyrics Irving Berlin
Book Robert E. Sherwood
Basis The Statue of Liberty
Productions 1949 Broadway

Miss Liberty is a 1949 Broadway musical with a book by Robert E. Sherwood and music and lyrics by Irving Berlin. It is based on the sculpting of the Statue of Liberty (Liberty Enlightening the World) in 1886. The score includes the song "Give Me Your Tired, Your Poor", a musical setting of Emma Lazarus's sonnet "The New Colossus" (1883), which was placed at the base of the monument in 1903.

In 1885, New York Herald publisher James Gordon Bennett assigns novice reporter Horace Miller to find the woman who served as Frédéric Auguste Bartholdi's model for the Statue of Liberty. In the artist's Paris studio, Miller sees a photograph of Monique DuPont and mistakenly believes she was the one. Bennett arranges for her and her grandmother to accompany Horace back to New York City, where she becomes a media darling. When rival publisher Joseph Pulitzer discovers it was Bartholdi's mother who actually posed for him, he exposes Monique as a fraud in his New York World. She faces deportation until a sympathetic Pulitzer comes to her rescue, paving the way for her to plan a future with Horace, who jilts his American girlfriend Maisie Doll in favor of the French beauty.

During World War II, Robert Sherwood was deeply moved when he saw what the Statue of Liberty meant to American GIs who were being shipped overseas, and he wanted to write a story about this symbol of freedom. While crossing the Atlantic on the Queen Mary with 15,000 recruits, the playwright had been "deeply moved" and "greatly impressed by the emotion that sight of the statue generated among these soldiers." Upon meeting Irving Berlin in England, he invited him to compose the score, and Berlin suggested Moss Hart become part of the creative team as a co-producer and director. The book and score were completed in May 1949 and a cast of fifty-five began rehearsals. The musical opened in Philadelphia on June 13 and, despite mostly negative reviews, the four-week-long run was a sellout, resulting in a profit of $175,000.


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