Mira Gonzalez
| Mira Gonzalez | |
|---|---|
| Born | May 28, 1992 |
| Occupation | Writer |
| Language | English |
| Nationality | United States |
| Notable works | i will never be beautiful enough to make us beautiful together |
| Relatives | Chuck Dukowski, stepfather |
| Website | |
| miratortilla |
|
Mira Gonzalez (born May 28, 1992) is an American poet from Los Angeles, California. Her first collection, i will never be beautiful enough to make us beautiful together, was published by Spencer Madsen of Sorry House press on January 31, 2013. According to one source, she writes about "drugs, sex, loneliness, laziness, recklessness, self-loathing" in an "extremely humorous and warm manner." According to Liza Darwin in Nylon magazine, Gonzalez is part of a "whole new crop of cool girl poets" whose work is "clever, totally unfiltered, and peppered with twisted insight and refreshing humor." She has been published in magazines including Vice, Hobart, and Muumuu House. In 2015, Gonzalez and Tao Lin released Selected Tweets, a collaborative double-book featuring selections from three of her Twitter accounts, as well as visual art and "extras". Gonzalez has described her writing process as follows:
I will spend hours on one sentence sometimes, and if I feel that sentence isn’t expressing exactly what I want it to express, I will delete the sentence entirely. I think it takes a lot of precision and tedious work.
Dazed & Confused magazine chose i will never be beautiful enough to make us beautiful together as its poetry book of the week, comparing Gonzalez to Tao Lin as a writer with an prolific and intense social media presence. In 2014 the collection was a finalist for The Believer magazine's Poetry Award.Flavorwire, an online culture magazine, named Gonzalez one of "23 People Who Will Make You Care About Poetry in 2013".
A review in Rumpus magazine described i will never be beautiful enough to make us beautiful together as about "disconnected sex, anxiety, loneliness, drugs, and depression" but with "cool, effervescent, and clear" observations. In one poem, according to reviewer Emily Bludworth de Barrios, Gonzalez repeats a sequence of words for emphasis, a technique sometimes called anaphora, to emphasize emotion. A review described her writing as having "brutal honesty and minimalist vocabulary and diction." A review in Economy magazine described her poems as having a "studied laboriousness" which was "weirdly compelling." Filmmaker and screenwriter Lena Dunham wrote in The Guardian that the book was one of her favorites for 2014, and that it brings "experimental poetry into the internet age with dark, distinctly female riffs on ambition, depression and love."The New Inquiry called Gonzalez's poetry "a paragon of flat writing and ambivalence toward emotion" that "conjures an affectively messy universe."
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