Milt Jackson

Milt Jackson
Milt Jackson, Village Jazz Lounge with the Bubba Kolb Trio, late 1970s.
Background information
Birth name	Milton Jackson
Born	(1923-01-01)January 1, 1923 Detroit, Michigan
Died	October 9, 1999(1999-10-09) (aged 76) New York City, New York, U.S.
Genres	Hard bop, Afro-Cuban jazz, modal jazz, mainstream jazz, post-bop
Occupation(s)	Musician, soloist, composer, bandleader
Instruments	Vibraphone, piano
Labels	Impulse!, Atlantic, Prestige, Apple
Associated acts	John Coltrane, Ray Charles, Miles Davis, Dizzy Gillespie, Modern Jazz Quartet, Thelonious Monk, Wes Montgomery

Milton "Milt" Jackson, also known as "Bags", (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post-bop players.

A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. He preferred to set the vibraphone's oscillator to a low 3.3 revolutions per second (as opposed to Lionel Hampton's speed of 10 revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally.

Jackson was born on January 1, 1923 in Detroit, Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music" (quoted in Nat Hentoff's liner notes to Plenty, Plenty Soul). He started on guitar when he was seven, then on piano at 11. While attending Miller High School, he played drums in addition to timpani and violin and also sang in the choir. At 16, he sang professionally in a local touring gospel quartet called the Evangelist Singers. Jackson also took up the vibraphone at 16 after hearing Lionel Hampton play the instrument in Benny Goodman's band. Jackson was discovered by Dizzy Gillespie, who hired him for his sextet in 1945, then his larger ensembles. Jackson quickly acquired experience working with the most important figures in jazz of the era, including Woody Herman, Howard McGhee, Thelonious Monk, and Charlie Parker.