Milman Parry
| Milman Parry | |
|---|---|
| Born | July 20, 1902 |
| Died | December 3, 1935 (aged 33) Los Angeles, California, United States |
| Nationality | American |
| Academic background | |
| Education | Oakland Technical High School |
| Alma mater |
University of California, Berkeley University of Paris |
| Academic work | |
| Discipline |
Classical studies Linguistics |
| Sub discipline |
Epic poetry Homeric scholarship Oral-formulaic composition |
| Institutions | Harvard University |
| Influenced | Albert Lord |
Milman Parry (June 20, 1902 – December 3, 1935) was a scholar of epic poetry and the founder of the discipline of oral tradition.
He was born in 1902, graduated from Oakland Technical High School in 1919, and studied at the University of California, Berkeley (B.A. and M.A.) and at the Sorbonne (Ph.D.). A student of the linguist Antoine Meillet at the Sorbonne, Parry revolutionized Homeric studies. In his dissertations, which were published in French in 1928, he demonstrated that the Homeric style is characterized by the extensive use of fixed expressions, or 'formulas', adapted for expressing a given idea under the same metrical conditions. Meillet introduced him to Matija Murko, who had worked on oral epic traditions in Bosnia and had made phonograph recordings of some performances.
Between 1933 and 1935 Parry, at the time Associate Professor at Harvard University, made two trips to Yugoslavia, where he studied and recorded oral traditional poetry in Serbo-Croat with the help of his assistant Albert Lord and Nikola Vujnović. They worked in Bosnia where literacy was lowest and the oral tradition was, in the term used by Parry and Lord, "purest". The two are now famous for their work in orality/literacy, which has come to be known as the Parry/Lord thesis.
In his American publications of the 1930s Parry introduced the hypothesis (first suggested to him by Meillet and amply demonstrated in his own fieldwork) that the formulaic structure of Homeric epic is to be explained as a characteristic feature of oral composition (the so-called Oral Formulaic Hypothesis). It was continued by Albert Lord, most notably in The Singer of Tales (1960). Though the book does not present his argument specifically, the assumed thesis is supported through in-depth content analysis of various singers (performers of the oral tradition or composition process) and interviews of the same singers. Parry moves against structural traditions declaring the original text is the purest form of the text (à la Walter Benjamin); rather, Parry asks us to understand that "the truth of the matter is that our concept of 'the original,' of 'the song,' simply makes no sense in oral tradition" (Lord, 2000, p. 101).
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