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Mike Rudd

Mike Rudd
Mike Rudd live 2009.JPG
Mike Rudd, 2009
Background information
Birth name Michael David Rudd
Also known as My Crudd
Born (1945-06-15) 15 June 1945 (age 71)
Christchurch, New Zealand
Genres Progressive rock, blues
Occupation(s) Musician, songwriter, producer
Instruments Vocals, guitar, harmonica, recorder, bass, keyboard
Years active 1960s–present
Labels Havoc, EMI, Mushroom, Rare Vision, Volcano
Associated acts Chants R&B, The Party Machine, Sons of the Vegetal Mother, Spectrum, Indelible Murtceps, Ariel, Mike Rudd's Instant Replay, Mike Rudd and The Heaters, W.H.Y., Spectrum Plays The Blues
Website http://www.mikeruddbillputt.com
Notable instruments
L Series Fender Stratocaster

Michael David "Mike" Rudd (born 15 June 1945) is a New Zealand-born musician and composer who has been based in Australia since the late 1960s, and who was the leader of Australian progressive rock bands Spectrum and Ariel in the 1970s.

Michael David Rudd was born in Christchurch, New Zealand. His first major group was the Chants R&B. The group came to Australia and settled in Melbourne in 1966 but broke up soon afterwards. Rudd then joined The Party Machine led by Ross Wilson and Ross Hannaford, who later formed Daddy Cool.

After Party Machine split up in late 1969, Rudd formed his own group, Spectrum, one of Australia's first progressive rock groups. This also marked the beginning of his long association with bassist Bill Putt. Spectrum released four LPs and several 7" singles, including their national No. 1 hit single I'll Be Gone, which has remained one of the best-known songs of the period, and the first Australian rock double album, Milesago. The group also worked under the pseudonym Indelible Murtceps and recorded one LP under that name.

After Spectrum split in April 1973, Rudd and Putt formed a new group, Ariel. Along with keyboard player John Mills they joined forces with two leading Sydney musicians, guitarist Tim Gaze and drummer Nigel Macara from pioneering progressive band Tamam Shud. They released one successful LP, A Strange Fantastic Dream, in December 1973, but Gaze and Macara left the band soon after it was recorded.

In early 1974 Rudd and Putt began work on an extended concept piece, The Jellabad Mutant, and began rehearsing the music with drummer John Lee, ex-The Dingoes. Lee then brought in a friend, lead guitarist Harvey James, and this arrangement eventually coalesced into the second line-up of Ariel. They recorded a full-length demo tape of the planned LP, called The Jellabad Mutant, and presented it to their record label EMI, but to their surprise it was rejected.


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