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Mike Cahill (director)

Mike Cahill
Майк Кэхилл 2014 год.jpg
Mike Cahill, 2014
Born (1979-07-05) July 5, 1979 (age 37)
New Haven, Connecticut
Occupation Film director, screenwriter
Notable work Another Earth (2011)
External image
Mike Cahill, at the Crosby Street Hotel in Manhattan.indieWire

Mike Cahill (born July 5, 1979) is an American film director and screenwriter.

Mike Cahill was born in New Haven, Connecticut on July 5, 1979. His first forays into filmmaking were with Fisher-Price and VHS camcorders when he was young. He gained his first credit as a documentarian at the age of 17, when Cahill and a friend directed a film titled The Pocket, about D.C go-go music. After high school, Cahill studied economics at Georgetown University, graduating in 2001. While a student there he formed a close relationship with professional colleague and friend Brit Marling, whom he met at a Georgetown film festival, and the two began working on short films together where Marling would act and Cahill would direct.

While still in his senior year at Georgetown, Cahill began interning with National Geographic Television and Film, soon becoming their youngest field producer, editor and cinematographer. He and Marling collaborated on Boxers and Ballerinas (2004), an exploration of the U.S.–Cuba conflict through the lives of four characters, while living in Cuba. Cahill next moved to Los Angeles. There he was taken on as editor for two Sundance features, Leonard Cohen: I'm Your Man and Everyone Stares: The Police Inside Out.

2011 was Cahill's pivotal year. His first feature film as director, co-written with Marling, Another Earth, about a parallel Planet Earth, won the Alfred P. Sloan Prize at the 2011 Sundance Film Festival and was picked up for distribution by Fox Searchlight Pictures.Variety reported: "[It] has been deemed one of the more highly praised pics of the fest as it received a standing ovation after the screening and strong word of mouth from buyers and festgoers." The distributor Fox Searchlight Pictures won distribution rights to the film in a deal worth $1.5 million to $2 million, beating out other distributors including Focus Features and the Weinstein Company.


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