Professional ratings
Aggregate scores
Source	Rating
Metacritic	81/100
Review scores
Source	Rating
AllMusic
The A.V. Club	B+
Entertainment Weekly	B+
One Thirty BPM	82%
Pitchfork	7.7/10
PopMatters
Rolling Stone
Slant Magazine
Spin	7/10
USA Today

Metals is the fourth studio album by Canadian singer-songwriter Feist. It was released on September 30, 2011 in Ireland, Austria, Switzerland, Germany, Sweden and Belgium; October 3, 2011 in the United Kingdom; and October 4, 2011 in the United States and Canada. The first single from the album is "How Come You Never Go There", which was released on August 12, 2011. The album was supported by a world tour which started in Amsterdam, Netherlands on October 15, 2011 and finished on October 20, 2012 in Latin America.

Metals debuted on the US Billboard 200 at number 7, and sold 38,000 copies in its first week. It earned Feist's best sales week and it was her first top 10 chart in the US. The album received acclaim from critics.

Promotion for the album began with short videos which feature snippets of tracks and the making of the album. They were posted on her website and other social networking sites since July 21, 2011. Four days after, she officially announced the release of Metals. Artwork for the album was revealed on August 2, 2011; previously, fans were given the opportunity to select the color design for the album cover on Facebook.

After touring for her previous album, The Reminder, Feist was "emotionally deaf". She stopped playing music for two years, saying that she "wasn't curious anymore". In 2010, she went to the studio in Paris where she recorded The Reminder. After coming back from Paris six months later, she wrote most of the album. For recording Metals, Feist went to Big Sur with the lyrics almost completed and set up an ad hoc recording studio.Metals was recorded in Toronto and Big Sur, with collaborators including Chilly Gonzales, Mocky, Brian LeBarton, Dean Stone, and producer Valgeir Sigurðsson. They began recording the album in January 2011. The album's title was partially inspired by Charles C. Mann's non-fiction book 1491: New Revelations of the Americas Before Columbus. She said of the recording process that "I allowed for mistakes more than I ever have, which end up not being mistakes when you open things up and make room for them."

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Wikipedia