Metal Machine Music | ||||
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Studio album by Lou Reed | ||||
Released | July 1975 | |||
Genre | ||||
Length | 64:11 | |||
Label | RCA | |||
Producer | Lou Reed | |||
Lou Reed chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Chicago Tribune | |
Christgau's Record Guide | C+ |
Classic Rock | |
MusicHound Rock | woof! |
The Rolling Stone Album Guide |
Metal Machine Music, subtitled *The Amine β Ring, is the fifth solo album by American rock musician Lou Reed. It was originally released as a double album by RCA Records in 1975. A departure from the rest of Reed's catalog, Metal Machine Music is variously considered to be a joke, a grudging fulfillment of a contractual obligation, or an early example of noise music. The album features no songs or even recognizably structured compositions, eschewing melody and rhythm for an hour of modulated feedback and guitar effects, mixed at varying speeds by Reed. In the album's liner notes he claimed to have invented heavy metal and asserted that Metal Machine Music was the ultimate conclusion of that genre.
The album cost Reed credibility in the music industry while simultaneously opening the door for some of his later, more experimental material. Although panned by critics since its release, Metal Machine Music is today considered a forerunner of industrial music, noise rock, and contemporary sound art. The album made its way on to the List of music considered the worst.
In 2010, Reed, Ulrich Krieger and Sarth Calhoun collaborated to tour, playing free improvisation inspired by the album, as Metal Machine Trio. That same year, Reed announced his plans to re-release Metal Machine Music in remastered form.
A major influence on Reed's recording was the mid-1960s drone music work of La Monte Young's Theatre of Eternal Music, whose members included John Cale, Tony Conrad, Angus Maclise and Marian Zazeela. Both Cale and Maclise were also members of the Velvet Underground (Maclise left before the group began recording).