Meg Campbell (poet)
| Meg Campbell | |
|---|---|
| Born |
19 November 1937 Palmerston North, New Zealand |
| Died | 17 November 2007 (aged 69) |
| Occupation | poet |
| Spouse | Alistair Campbell |
Meg Campbell (19 November 1937 – 17 November 2007) was a New Zealand poet. Campbell was born and raised in Palmerston North, New Zealand and attended Marsden Collegiate, Wellington where she studied acting. However, she discontinued her acting pursuits shortly after meeting and marrying fellow poet Alistair Campbell.
Meg Campbell, born Aline Margaret Andersen, grew up in Palmerston North, New Zealand and studied acting in Wellington before meeting her husband Alistair Campbell in 1958, who was also married to another New Zealand poet Fleur Adcock previously. Throughout her lifetime Meg Campbell had struggled with depression; from bipolar disorder to postpartum depression of which she eventually suffered from a nervous breakdown. In 1969 she began writing poetry at Porirua Psychiatric Hospital. However, it wasn't until the late 1970s and 1980s that she began to publish her work. The topic of her long term experience with depression and mental institutions are expressed through a variety of her poetry.
Toward the end of her depression Meg Campbell published her first poem "Solitary confinement" in 1978 in the New Zealand Listener . However, it wasn't until the 1980s that she began to publish books of poetry such as The Way Back (1981) which won the PEN Best First Book Award for poetry. Meg Campbell continued to publish books of poetry up until her death in 2007. Later a collection of poems from Alistair Campbell and Meg Campbell titled It's Love, Isn't It? would be published in 2008. Her personal papers, including early drafts of her poems, are held at the Alexander Turnbull Library, National Library of New Zealand.
Meg Campbell's poetry expresses her personal experiences and struggles often by wit and a sense of humor. It is also said that the role of mythology within her poetry speaks about gender roles and sexuality as well as domesticity. In The Oxford Companion to New Zealand Literature, it states that Campbell's poetry "can form unexpected links, between the mythic and the domestic, for instance, as in 'Maui', or the universal and psychological, as in 'Things Random' or 'Evolution'."The Cambridge Guide to Women's Writing in English can agree with The Oxford Companion to New Zealand Literature that Campbell's voice is strong.
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