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Max (2002 film)

Max
Max (2002 movie poster).jpg
Theatrical release poster
Directed by Menno Meyjes
Produced by Andras Hamori
Written by Menno Meyjes
Starring John Cusack
Noah Taylor
Leelee Sobieski
Molly Parker
Music by Dan Jones
Cinematography Lajos Koltai
Edited by Chris Wyatt
Production
company
Pathé Pictures
Alliance Atlantis
UK Film Council
Kinowelt Medien
Aconit Pictures
H2O Motion Pictures
Distributed by Lionsgate
Release date
Running time
106 minutes
Country United Kingdom
Hungary
Canada
Language English
Box office $539,879

Max is a 2002 British-Hungarian-Canadian fictional drama film, that depicts a friendship between a Jewish art dealer, Max Rothman, and a young Austrian painter, Adolf Hitler. The film explores Hitler's views which began to take shape under Nazi ideology; while also studying the artistic and design implications of the Third Reich and how their visual appeal helped hypnotize the German people. The film goes on to study the question of what could have been if Hitler had been accepted as an artist. The film was the directorial debut of Menno Meyjes, who also wrote the film.

The year is 1918, and Max Rothman (John Cusack), a fictional Munich art dealer, is a veteran of the Third Battle of Ypres, where he lost his right arm during the latter stages of World War I, effectively ending his career as a painter. He returns to Germany and opens a modern art gallery. He is married to Nina (Molly Parker), but also has a mistress, Liselore von Peltz (Leelee Sobieski). Through a chance encounter, Rothman is approached by a young Adolf Hitler (Noah Taylor), a war veteran as well, disgruntled over Germany's loss during the conflict and the country's humiliation by the signing of the Versailles Treaty; Hitler wishes to have his artwork drawings displayed.

Rothman comes to believe that Hitler has talent, but has failed to tap his inner potential to create great art. While he is aware of Hitler's anti-semitism, Rothman still encourages him to delve deeper in his art. Rothman feels sorry for Hitler, who had nothing to come home to after the war. Despite his overall doubts about Hitler, Rothman agrees to take some of his paintings under a contractual basis.


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Wikipedia

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