Matir Moina
| Matir Moina | |
|---|---|
 |
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| Directed by | Tareque Masud |
| Produced by | Catherine Masud |
| Written by |
Tareque Masud Catherine Masud |
| Starring | |
| Cinematography | Sudheer Palsane |
| Distributed by |
Audiovision MK2 |
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Release date
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Running time
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98 minutes |
| Country | Bangladesh |
| Language | Bengali |
Matir Moina (Bengali: মাটির ময়না; also spelled Matir Moyna and known in English as The Clay Bird) is a Bengali drama film directed by Tareque Masud, a Bangladeshi film director. The film was released in 2002. It was awarded the FIPRESCI Prize in section Directors' Fortnight outside competition at the 2002 Cannes Film Festival, and became Bangladesh's first film to compete for the Academy Award for Best Foreign Language Film.
Matir Moina deals with Masud's own experiences studying at a madrasah against the increasing tensions in East Pakistan culminating in the Bangladesh War of Liberation. Throughout the film there are references to historical occurrences in agitated times, and the film portrays these episodes through the human experiences of the young protagonist, his family, and his teachers and peers at the madrasah. Matir Moina won a number of awards internationally but was initially banned in Bangladesh on the grounds that it dealt with issues sensitive to the religious. The ban was repealed and the DVD version was released on April 16, 2005.
According to the Masuds, the film was shot almost entirely with non-professionals in local settings often using local sounds. The cinematography attempted to capture the seasons in rustic appeal and the festivals and holidays of Bangladesh.
The film is set against the backdrop of unrest in East Pakistan in the late 1960s leading up to the Bangladesh War of Liberation. In this setting, a small family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world. Anu, a young boy, is sent off to a madrasah by his unbendingly devout father Kazi. Anu's younger sister falls ill and dies because of Kazi's refusal to use conventional medicine. While at the madrasah, Anu befriends Rokon, an eccentric misfit in the rigorous religious school, who is forced by the teachers to undergo an exorcism by ducking in the freezing river to cure himself.
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