Master of the Flying Guillotine | |||||||||||||||
Traditional Chinese | 獨臂拳王大破血滴子 | ||||||||||||||
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Simplified Chinese | 独臂拳王大破血滴子 | ||||||||||||||
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Transcriptions | |
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Standard Mandarin | |
Yale Romanization | Dú bì chywánwáng dà pwò sywě dī dž |
IPA | [tǔ pî tɕʰy̯ɛ̌nu̯ǎŋ tâ pʰu̯ô ɕy̯è tí tsɹ̩̀] |
Yue: Cantonese | |
Yale Romanization | Duhk bei kyùhnwòhng daaih po hyut dìk jí |
IPA | [tʊ̀k pēi kʰy̏ːnwɔ̏ːŋ tàːi pʰɔ̄ː hȳːt tɪ̂k tɕǐː] |
Master of the Flying Guillotine | |
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American theatrical release poster
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Traditional | 獨臂拳王大破血滴子 |
Simplified | 独臂拳王大破血滴子 |
Mandarin | Dú Bì Quán Wáng Dà Pò Xuě Dī Zǐ |
Cantonese | Duk6 Bei3 Kyun4 Wong4 Daai6 Po3 Hyut3 Dik1 Zi2 |
Directed by | Jimmy Wang |
Produced by | Wong Cheuk-hon |
Written by | Jimmy Wang Yu |
Starring | Jimmy Wang Yu Kom Kang Doris Lung Lau Kar-wing Philip Kwok |
Music by | Frankie Chan |
Cinematography | Chiu Yao-hu |
Edited by | Kwok Ting-hung |
Production
company |
First Films
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Distributed by | Epoch Entertainment (Cinema Epoch) & Pathfinder Pictures |
Release date
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Running time
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93 minutes |
Country | Taiwan |
Language | Mandarin |
Master of the Flying Guillotine is a 1976 Taiwanese wuxia film starring Jimmy Wang Yu, who also wrote and directed the film. It is a sequel to Wang's 1971 film One Armed Boxer, and thus the film is also known as One-Armed Boxer 2 and The One Armed Boxer vs. the Flying Guillotine.
The film concerns Wang's one-armed martial arts master being stalked by an imperial assassin, the master of two fighters (the Tibetan lamas) who were killed in the previous film. The title refers to the assassin's weapon, the "flying guillotine", which resembles a hat with a bladed rim attached to a long chain. Upon enveloping one's head, the blades cleanly decapitate the victim with a quick pull of the chain. The Boxer's adversary is the assassin Fung Sheng Wu Chi who is blind, knows the Flying Guillotine, and relies on others to identify the one-armed man, and he kills any that he meets. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lie low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates competing in the tournament: a Thai boxer, a yoga master, and a kobojutsu user.
The One-Armed Boxer leaves the tournament and, using a series of traps, defeats the assassin's subordinates. Unable to directly confront the deadly assassin himself, the One-armed Boxer devises a plan that uses misdirection. Taking advantage of the assassin's blindness by using bamboo poles as a lure, each time the blind assassin throws his weapon, it becomes snagged on one of the bamboo poles effectively removing the inner blades of the assassin's deadly weapon; however as it still contains a jagged outer edge it is still a formidable weapon. The One-armed Boxer then proceeds to convert a coffin-maker's shop into an elaborate trap. Once the weapon is finally destroyed, the One-armed Boxer engages the assassin in a duel and defeats him.
Rotten Tomatoes, a review aggregator, reports that 90% of 20 surveyed critics gave the film a positive review; the average rating was 6.9/10.Metacritic rated the film 57/100 based on eleven reviews. Elvis Mitchell of The New York Times called it "near-great" and "a venerable example of the kung fu genre". Kevin Thomas of the Los Angeles Times wrote, "Master of the Flying Guillotine has been called the Holy Grail of the Hong Kong martial arts movies of the '70s, and now that it has been lovingly restored and given a regular theatrical release, it's easy to see why." Joey O'Bryan of The Austin Chronicle rated it 2/5 stars and called it "a mess" that fails to live up to the epic brawl promised by the alternate title. Nathan Rabin of The A.V. Club called it "a delirious kung-fu saga" that is "wild even by the genre's lenient standards". Rabin concludes, "Goofy Z-movie fun of the highest order, Master Of The Flying Guillotine needs to be seen to be believed, and even then defies belief." Phil Hall of Film Threat rated it 1.5/5 stars and wrote, "[T]his silly production stands as a dinky reminder of why martial arts film fell out of favor during the mid-1970s". J. Doyle Wallis of DVD Talk rated it 4/5 stars and called it "a complete guilty pleasure that leaves you feeling high off its empty b-movie fun". Mike Pinsky of DVD Verdict wrote that the film toys with and subverts many martial arts film cliches, which makes it surprising and entertaining.