Mass Appeal (film)
| Mass Appeal | |
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Original poster
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| Directed by | Glenn Jordan |
| Produced by | David Foster Lawrence Turman |
| Written by | Bill C. Davis |
| Starring |
Jack Lemmon Željko Ivanek |
| Music by | Bill Conti |
| Cinematography | Donald Peterman |
| Edited by | John Wright |
| Distributed by | Universal Pictures |
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Release date
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Running time
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99 minutes |
| Country | United States |
| Language | English |
| Box office | $1,945,658 |
Mass Appeal is a 1984 American dramedy film starring Jack Lemmon, directed by Glenn Jordan. The screenplay by Bill C. Davis is based on his 1980 play of the same name.
For years, as pastor of an affluent, suburban Catholic parish, Father Tim Farley has maintained a close relationship with his congregation by delivering folksy homilies filled with practical advice and adhering to clerical policies without waver. One Sunday, his sermon is interrupted by seminarian Mark Dolson, who questions Farley's position on the ordination of women. The older priest charmingly sidesteps the young man but is annoyed that he was placed in an uncomfortable position. This is a man who relies on charm, harmless white lies, and inane jokes when interacting with his parishioners, and he always has been careful not to get involved in controversial issues.
Dolson defends two seminarians who were expelled after being suspected of engaging in a homosexual relationship. After he is ordained a deacon, frustrated Monsignor Thomas Burke assigns him to Farley's parish in the hope the older man will inspire him to toe the line and become more complacent. Although in some ways conservative—he criticizes his sister Liz for her affair with a married man—the young man primarily is a liberal firebrand who is anxious to make changes in the church, whereas Farley prefers study with a bottle of alcohol and not make waves.
The pastor tries to become a mentor to his new charge, but Dolson ignores the priest's efforts to teach him the necessity of tact. He enrages the congregation with his first, highly critical sermon.
Questions as to why Dolson defended the gay seminarians arise. He confides having spent two years engaging in sexual relations with both men and women, saying he now is committed to celibacy. Farley urges him to keep quiet about his past, but the deacon admits his secret to the monsignor and is expelled.
Farley promises to convince his followers that the church needs liberal thinkers who don't always do things by the book. As soon as he senses he is losing support, however, the priest backs down. Dolson angrily confronts him with a feeling of betrayal, forcing Farley to rethink his position and do the right thing, even if it means the loss of his parish.
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