Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist. She was born at Alresford in Hampshire. She is best known for Our Village, a series of sketches of village scenes and vividly drawn characters based upon life in Three Mile Cross, a hamlet in the parish of Shinfield, near Reading in Berkshire, where she lived.
She was the only daughter of Dr George Mitford, or Midford, who apparently trained as a medical doctor, and Mary Russell, a descendant of the aristocratic Russell family who grew up near Jane Austen and was an acquaintance of hers when young. At ten years old in 1797, young Mary Russell Mitford won her father a lottery ticket worth £20,000, but by the 1810s the small family suffered financial difficulties. In the 1800s and 1810s they lived in large properties in Reading and then Grazeley (in Sulhamstead Abbots parish), but, when the money was all gone after 1819, they lived on a small remnant of the doctor's lost fortune and the proceeds of his daughter's literary career. He is thought to have inspired Mary with the keen delight in incongruities, the lively sympathy, self-willed vigorous individuality, and tolerance which inspire so many of her sketches of character. She cared for her mother and father until their deaths and supported them and herself by proceeds from her writing.
Mitford was an especially prolific and successful writer in a range of genres, from poetry to drama as well as the prose for which she has been best known. Her writings have been celebrated for their spontaneous humour, combined with quick wit and literary skill.
Her youthful ambition had been to be the greatest English poetess, and her first publications were poems in the manner of Samuel Taylor Coleridge and Walter Scott (Miscellaneous Verses, 1810, reviewed by Scott in the Quarterly; Christina, the Maid of the South Seas, a metrical tale based on the first news of discovery of the last surviving mutineer of the H. M. S. Bounty and a generation of British-Tahitian children on Pitcairn Island in 1811; and Blanche, part of a projected series of "Narrative Poems on the Female Character", in 1813). Her play Julian was produced at Covent Garden, with William Charles Macready in the title role, in 1823; Foscari at Covent Garden, with Charles Kemble as the hero, in 1826; while Rienzi, 1828, the best of her plays, ran for 34 performances, and Mitford's friend, Thomas Noon Talfourd, supposed that its popularity detracted from the success of his own play, Ion. Charles the First was refused a licence by the Lord Chamberlain, but was played at the Surrey Theatre in 1834.