Maruyama school

The Shijō school (四条派^?, Shijō-ha), also known as the Maruyama–Shijō school, was an offshoot school of the Maruyama school of Japanese painting founded by Maruyama Ōkyo, and his former student Matsumura Goshun in the late 18th century. This school was one of several that made up the larger Kyoto school. The school is named after the street in Kyoto where many major artists were based; Shijō translates to "fourth avenue". Its primary patrons were rich merchants in and around Kyoto/Osaka and also appealed to the "kamigata" who were of the established aristocrat and artisan families of the Imperial capital during the late 18th/19th centuries.

Stylistically, the Shijō style can best be described as a synthesis of two rival styles of the time. Maruyama Ōkyo was an experienced and expert painter of sumi-e ink paintings, and accomplished a great degree of realism in his creations, emphasizing direct observation of depicted subjects which was a direct contravention of the officially sponsored schools of the time, Kanō and Tosa, which emphasized decorativeness with highly formalized and stylized figures taught to its students via copying paintings of past masters. The Kanō and Tosa schools had become bywords for rigid formalism by this time. Meanwhile, a number of artists, rebelling against Ōkyo's realism, formed the nanga ("southern pictures") school, basing their style largely on the Southern school of Chinese painting. The artists of the Shijō school sought to reconcile the differences between these two styles, creating works that synthesized the best elements of both.

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