Professional ratings
Aggregate scores
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Metacritic	59/100
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Source	Rating
Allmusic
Entertainment.ie
Entertainment Weekly	(A−)
PopMatters	(Positive)
Rolling Stone

Maroon is the fifth full-length studio album by Barenaked Ladies. The album was the follow-up to 1998's Stunt, the band's most successful album in the United States. Maroon debuted at No. 1 in Canada (their second to reach #1 after 1992's Gordon) and #5 on the U.S. Billboard 200. In its first week, the album sold 17,800 copies in Canada and just under 128,000 in the United States. It has sold at least 1 million copies in the U.S. alone. With keyboardist Kevin Hearn's leukemia battle won, and with an instinct to play down the jokey reputation they were so known for, BNL deliberately created a more serious and sophisticated album. The album spawned three hit singles : "Pinch Me", "Too Little Too Late" and "Falling for the First Time".

Unlike past albums, the songs came almost entirely from the pairing of Page/Robertson. One track, "Baby Seat", was written by Page with longtime songwriting partner, Stephen Duffy. This was the last Page/Duffy track that Barenaked Ladies would release, starting a policy of keeping the writing within the band on their next album. "Hidden Sun", written while Hearn was in the hospital, appears as a hidden track on most copies of the album. As with each of their early albums, the band recorded one song, "Humour of the Situation", completely naked.

The band recorded 17 tracks for the album; Tracks recorded for this album but omitted from the finished record include: "Powder Blue" (appears on the US "Pinch Me" single), "Inline Bowline" (appears as an extra track on some international versions, and is on the Australian "Pinch Me" single), "Born Human" (appears on the Australian "Pinch Me" single, re-recorded for Hearn's album Night Light) and "Half a Heart" (re-recorded for the Barenaked Ladies Are Me sessions before the Maroon sessions version was later released on Stop Us If You've Heard This One Before!). "That's All, That's All" was also written for the album, and was later recorded for Page's The Vanity Project.

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