Skinny Puppy | |
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Skinny Puppy performing live at The Vic Theatre in 2014.
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Background information | |
Origin | Vancouver, British Columbia, Canada |
Genres | Industrial, post-industrial, industrial rock, electro-industrial, electronic, synthpop |
Years active | 1982–present |
Labels | Metropolis, Subconscious Communications, Synthetic Symphony, Nettwerk, American Recordings, Play It Again Sam, Capitol/EMI |
Associated acts | ohGr, Download, Doubting Thomas, W.E.L.T., platEAU, Psyche, The Tear Garden, Front Line Assembly, Ministry, KMFDM, Hilt, Cyberaktif, RX, Images In Vogue, Pigface |
Website | www |
Members |
cEvin Key Nivek Ogre Mark Walk Justin Bennett (touring band) Matthew Setzer (touring band) |
Past members |
Dwayne Goettel Dave "Rave" Ogilvie Al Jourgensen Wilhelm Schroeder (Bill Leeb) William Morrison |
Skinny Puppy is a Canadian industrial music group, formed in Vancouver, British Columbia, in 1982. The group is widely considered to be one of the founders of the electro-industrial genre. Initially envisioned as an experimental side project by cEvin Key (Kevin Crompton) while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre (Kevin Ogilvie). Over the course of a dozen studio albums and many live tours, Key and Ogre have been the only constant members. Other members have included Dwayne Goettel (1986–1995), Dave "Rave" Ogilvie (long-time associate, producer, and "unofficial" fourth member until 1995), Mark Walk (2003–present), and a number of guests, including Bill Leeb (1985–1986, under the pseudonym Wilhelm Schroeder), Al Jourgensen (1989), and many others.
After the self-release of their first cassette in 1984, Skinny Puppy soon signed to Vancouver label Nettwerk, anchoring its early roster. From their Nettwerk debut EP Remission in 1984 to their 1992 album Last Rights, Skinny Puppy developed into an influential band with a dedicated cult following, fusing elements of ambient, noise, new wave, electro, and rock music and making innovative use of sampling. Over the course of several tours of North America and Europe in this period, they became known for theatrical, horror-themed live performances and videos, drawing attention to issues such as chemical warfare and animal testing.