Maria Grever
| María Grever | |
|---|---|
 |
|
| Background information | |
| Birth name | Maria Joaquina de la Portilla Torres |
| Born |
September 14, 1885 León, Guanajuato, Mexico |
| Died | December 15, 1951 (aged 66) New York City, New York, United States |
| Occupation(s) | Composer |
María Grever (14 September 1885 – 15 December 1951) was the first female Mexican musician to become a successful composer.
María Joaquina de la Portilla Torres was born to a Spanish father (Francisco de la Portilla) and Mexican mother (Julia Torres) in Guanajuato, Mexico. For the first six years of her life she lived in Mexico City, moving to her father's natal city, Sevilla, in 1888. She studied music in France, with Claude Debussy and Franz Lenhard among her teachers. In 1900 she moved back to Mexico and continued her musical studies at her aunt's solfège school. In 1907, the then 22-year-old de la Portilla, married Leo A. Grever, an American oil company executive, and in 1916 became a U.S. citizen and moved to New York City where she lived for the rest of her life.
Grever wrote more than 800 songs — the majority of them boleros — and her popularity reached audiences in Latin America, Europe, and the United States. She was said to have possessed perfect pitch and wrote most of her songs in one key. Her first piece of music, a Christmas carol, was composed when she was four years old. She wrote her first song when she was 18 years old, "A Una Ola" (To a Wave), and it sold three million copies.
In 1920 she began work as a film composer for Paramount Pictures and 20th Century Fox studios. Joining ASCAP in 1935, her chief musical collaborators included Stanley Adams and Irving Caesar.
Grever once said: “I had to leave my country, and now in New York I am interested in Jazz and Modern Rhythms, but above all, in Mexican Music, which I long to present to the American people. I am afraid they don't know much about it. It is music worth spreading; there is such a cultural richness in Mexican Music (its Hispanic and indigenous origins and how they mix) where melody and rhythm merge. It is my wish and yearning to present the native rhythms and tunes (of Mexico) from a real perspective, but with the necessary flexibility to appeal to the universal audience".
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