Maralin Niska

Maralin Niska (November 16, 1926 – July 9, 2016) was an American operatic soprano. Well known as a singing-actress, she was a mainstay of the New York CIty Opera during the 1960s and 1970s She was also a regular performer at the Metropolitan Opera from 1970-1977.

Born in San Pedro, California, Niska earned a Bachelor of English Literature from the University of California, Los Angeles and began her professional life as a second grade public school teacher for seven years. She then returned to school to study voice at the Thornton School of Music at the University of Southern California and U.C.L.A. She studied under Louise Mansfield, Lotte Lehmann, and primarily Ernest St. John Metz. She performed extensively in southern California during the 1950s, including performances with the USC Opera, UCLA Opera, Los Angeles Opera, Redlands Bowl and other regional companies. Her extensive national and international career began at the opening of the Metropolitan Opera National Company as Susannah in the Carlisle Floyd work in Indianapolis in 1965. After retiring from the stage, she lived in Santa Fe, New Mexico, and was married to William Mullen.

The soprano was first heard at the New York City Opera in the fall of 1967, as the Contessa Almaviva in Le nozze di Figaro, with Norman Treigle in the title role. She went on to perform with that company in many productions, including La bohème (now as Musetta), La traviata (opposite Plácido Domingo), Madama Butterfly, Pagliacci, Suor Angelica, Faust (in Frank Corsaro's production, with whom she would often collaborate), Prince Igor, The Turn of the Screw (as the Governess), La bohème (as Mimì, with George Shirley and Carol Neblett), The Makropoulos Case (with Harry Theyard and Chester Ludgin, directed by Corsaro), Susannah (with Treigle), Tosca (with José Carreras), Don Giovanni (as Donna Anna, conducted by Bruno Maderna), Don Giovanni (now as Donna Elvira, with Richard Fredricks and Richard Stilwell alternating in the name part), Ariadne auf Naxos (as the Composer, staged by Sarah Caldwell), Médée (in the Italian version), Manon Lescaut, Salome (conducted by Julius Rudel), Idomeneo (as Elettra), a double-bill of Cavalleria rusticana and Pagliacci (in which she sang both Santuzza and Nedda), La voix humaine, La fanciulla del West, Die Fledermaus (as Rosalinde), and Maria Stuarda (as Elisabetta). In all she sang 29 leading roles with the company, the most of any singer in its history.

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