Maggie Jones (blues musician)
| Maggie Jones | |
|---|---|
| Also known as | Fae Barnes The Texas Nightingale |
| Born | March 1894 Hillsboro, Texas, United States |
| Died | Unknown |
| Genres | Blues |
| Occupation(s) | Singer, pianist |
| Instruments | Vocals, piano |
| Years active | 1922–1933 |
Maggie Jones (March 1894—unknown) was an American blues singer and pianist who recorded thirty-eight songs between 1923 and 1926. She was billed as "The Texas Nightingale". Among her best-rememberd songs are "Single Woman's Blues", "Undertaker's Blues", and "Northbound Blues".
She was born in Hillsboro, Texas. Her birth name is sometimes given as Fae Barnes, and her year of birth as 1900, but researchers Bob Eagle and Eric LeBlanc state that she was born in 1894 and that "Fae Barnes" was a stage name. She relocated to New York in 1922, where she performed in nightclubs. She appeared at the Princess Theater in Harrisburg, Pennsylvania, in 1922, and toured the Theater Owners Bookers Association circuit until about 1926.
Her debut recording session was on July 26, 1923, for Black Swan Records, where she became the first singer from Texas to record. She recorded for career several record labels, including Black Swan, Victor, Pathé and Paramount, but most of her work was released by Columbia. On Black Swan and Paramount she was billed as Fae (or Faye) Barnes; on Pathé and Columbia she recorded as Maggie Jones. It is unknown whether the name change was due to marriage.
Over a three-year period, she was accompanied by such notables as Louis Armstrong, Fletcher Henderson, Charlie Green, and Elmer Snowden. Jones is especially noted for the six sides on which she was backed by Henderson and Armstrong; the writer Derrick Stewart-Baxter singled out "Good Time Flat Blues" as "her masterpiece". With Henderson and Green she recorded "North Bound Blues", which contained trenchant references to the South's Jim Crow laws that are unusual for a classic female blues singer. In 1925, Jones recorded four songs written by Tom Delaney, including the track "If I Lose, Let Me Lose (Mamma Don't Mind)". By October 3, 1926, Jones had cut her final disc. In 1927, she performed with the Clarence Muse Vaudeville Company and sang in Hall Johnson's choir, at the Roxy Theater in New York City.
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