m b v | ||||
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Studio album by My Bloody Valentine | ||||
Released | 2 February 2013 | |||
Recorded | 1996–97, 2006–12 | |||
Genre | Shoegazing | |||
Length | 46:37 | |||
Label | m b v | |||
Producer | Kevin Shields | |||
My Bloody Valentine chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 87/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | A− |
Chicago Tribune | |
The Daily Telegraph | |
The Guardian | |
Los Angeles Times | |
NME | 8/10 |
Pitchfork Media | 9.1/10 |
Rolling Stone | |
Spin | 8/10 |
MBV (stylised as m b v) is the third studio album by the Irish rock band My Bloody Valentine, self-released on 2 February 2013. Produced by the band's vocalist and guitarist Kevin Shields, MBV was the band's first full-length release of original material since Loveless (1991).
Part of the album was recorded prior to My Bloody Valentine's breakup in 1997. Additional recording took place prior to the band's reunion in 2007. MBV received critical acclaim.
Following their departure from Creation Records after the release of their second studio album Loveless (1991), My Bloody Valentine signed with Island Records in October 1992 for a reported £250,000 contract. The band's advance went towards the construction of a home studio in Streatham, South London, which was completed in April 1993. Several technical problems with the studio sent the band into "semi-meltdown", according to vocalist and guitarist Kevin Shields, who was rumoured to have been suffering from writer's block. The band recorded and released two cover songs from 1993 to 1996—a rendition of "We Have All the Time in the World" by Louis Armstrong for Peace Together and a cover of "Map Ref. 41°N 93°W" by Wire for the tribute album Whore: Tribute to Wire.
Rumours had spread amongst fans that several albums worth of material had been recorded and shelved prior to the band's 1997 break up. In 1999, it was reported that Shields had delivered 60 hours of material to Island Records, and vocalist and guitarist Bilinda Butcher confirmed that there existed "probably enough songs to fill two albums." Shields later admitted that at least one full album of "half-finished" material was abandoned. He said, "[it] just [got] dumped, but it was worth dumping. It was dead. It hadn't got that spirit, that life in it."